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A black plastic child's doll has been added to the horns to create a karan wemba, to honor a female ancestor. In the southwest masks represent animals such as antelope, bush buffalo, and various strange creatures, are painted red, white and black. In the east, around Boulsa, masks have tall posts above the face to which fiber is attached.
African masks usually emulate a human or animal face in an abstract way. The inherent lack of realism in African masks (and African art in general) is justified by the fact that most African cultures clearly distinguish the essence of a subject from its looks, the former, rather than the latter, being the actual subject of artistic representation.
Compared stylistically to Japanese art, [7] the masks are typically oval in shape, with narrowed eyes, arched eyebrows and small ears. [2] The male masks (ikwar) tend to be brown and black pigment over kaolin and viewed as ugly and are shown at night whilst the masks for females (mukudj) tend to be lighter and considered prettier by the locals and are shown in the day. [8]
Chiwara masks are categorized in three ways: horizontal, vertical, or abstract. In addition, Chiwara can be either male or female. Female Chiwara masks are denoted by the presence of a baby antelope and straight horns. Male Chiwara masks have bent horns and a phallus. The sex of a Chiwara mask is much clearer on horizontal and vertical masks ...
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These masks showcase an ideal image of an Igbo maiden. This ideal is made up by the smallness of a young girl’s features and the whiteness of her complexion, which is an indication that the mask is a spirit. This whiteness is created using a chalk substance used for ritually marking the body in both West Africa and the African Diaspora.
Much African folk art consists of metal objects due in part to the cultural status of forging as a "process that is likened to the creation of life itself." [ 1 ] While in the past ceremonial pieces were exchanged as part of social rituals (i.e. marriage), today in Senegal , metal objects are recycled as utilitarian African folk art.
The We, sometimes called the Krahn or Guere, are an indigenous African people that inhabit areas in eastern Liberia and western Côte d'Ivoire. [2] In this region, masks such as this one typically start as simple, unadorned objects carved by a male artist. The mask is then handed down through generations with each new wearer adding adornments.