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Georgia O'Keeffe, Drawing No. 2 - Special, charcoal on Fabriano laid paper, 60 x 46.3 cm (23 5/8 x 18 1/4 in.), 1915, National Gallery of Art Charcoal drawings by Georgia O'Keeffe from 1915 represents Georgia O'Keeffe's first major exploration of abstract art and attainment of a freedom to explore her artistic talents based upon what she felt and envisioned. [1]
Color field painting is a style of abstract painting that emerged in New York City during the 1940s and 1950s. It was inspired by European modernism and closely related to abstract expressionism , while many of its notable early proponents were among the pioneering abstract expressionists.
Peter Lanyon was born in St Ives, Cornwall, in 1918.He was the only son of W H Lanyon, an amateur photographer and musician. He was educated at Clifton College. [2] St Ives remained his base and he received after-school painting lessons from Borlase Smart.
Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. [1] Abstract art, non-figurative art, non-objective art, and non-representational art are all closely related terms. They have similar, but perhaps not identical, meanings.
Erased de Kooning Drawing (1953) is an early work of American artist Robert Rauschenberg.This conceptual work presents an almost blank piece of paper in a gilded frame. It was created in 1953 when Rauschenberg erased a drawing he obtained from the abstract expressionist and American artist Willem de Kooning.
Conceptual art is art wherein the concept(s) or idea(s) involved in the work take precedence over traditional aesthetic and material concerns. [25] The inception of the term in the 1960s referred to a strict and focused practice of idea-based art that defied traditional visual criteria associated with the visual arts in its presentation as text ...
Geometric abstraction is present among many cultures throughout history both as decorative motifs and as art pieces themselves. Islamic art, in its prohibition of depicting religious figures, is a prime example of this geometric pattern-based art, which existed centuries before the movement in Europe and in many ways influenced this Western school.
His art first achieved prominence in the 1950s. He also joined the Antipodeans Group in the 1950s which protested against abstract expressionism. He was appointed Head of National Gallery of Victoria Art School (1962–1968), where he was an influence on many artists and the creation of the expanded school attached to the new gallery building.
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