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The first color systems that appeared in motion pictures were additive color systems. Additive color was practical because no special color stock was necessary. Black-and-white film could be processed and used in both filming and projection. The various additive systems entailed the use of color filters on both the movie camera and projector ...
The second all-color feature in Process 2 Technicolor, Wanderer of the Wasteland, was released in 1924. Process 2 was also used for color sequences in such major motion pictures as The Ten Commandments (1923), The Phantom of the Opera (1925), and Ben-Hur (1925). Douglas Fairbanks' The Black Pirate (1926) was the third all-color Process 2 feature.
Excerpt from the surviving fragment of With Our King and Queen Through India (1912), the first feature-length film in natural colour, filmed in Kinemacolor. This is a list of early feature-length colour films (including primarily black-and-white films that have one or more color sequences) made up to about 1936, when the Technicolor three-strip process firmly established itself as the major ...
Scene from Poor Cinderella (1934) by Fleischer Studios, an animated short which makes use of Cinecolor. Cinecolor was an early subtractive color-model two-color motion picture process that was based upon the Prizma system of the 1910s and 1920s and the Multicolor system of the late 1920s and the 1930s. It was developed by William T. Crispinel ...
Technicolor Group S.A. (formerly Technicolor Creative Studios, Technicolor SA, and Thomson Multimedia) is a French company that is involved in visual effects, motion graphics and animation services for the entertainment, media and advertising industries.
The Hollywood studios, where How To Live 100 Years (1913) starring Lillian Russell was filmed, were taken over by D. W. Griffith in June 1913. The company obtained a license from the Motion Picture Patents Company in August 1913 to show Kinemacolor in regular, licensed cinemas.
Amazon Studios and AMC Networks have partnered with Deaf Talent Media and Entertainment Consulting (DTMEC) on the creation of the Deaf Talent Creative Lab (DTCL). The new initiative will work to ...
The color boom was aided by the breakup of Technicolor's near-monopoly on the medium. The last stand of black-and-white films made by or released through the major Hollywood studios came in the mid-1960s, after which the use of color film for all productions was effectively mandatory and exceptions were only rarely and grudgingly made.