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Dream interpretation is the process of assigning meaning to dreams. In many ancient societies, such as those of Egypt and Greece , dreaming was considered a supernatural communication or a means of divine intervention , whose message could be interpreted by people with these associated spiritual powers.
Marie Louise von Franz has studied dream symbols, while James Hillman is more interested in what this other world represents for the dreamer. As a nocturnal theater of symbols, dreams are for Jung a natural production of the unconscious, [D 2] as well as the locus of personality transformation and the path to what Jung calls "individuation ...
This is where the dream may direct feelings or desires onto an unrelated subject. This is similar to the practice of transference, which is a common technique used in psychoanalysis. Another step in the formation of dreams is symbolism. Objects or situations in a dream may represent something else, commonly an unconscious thought or desire.
The analogy of the Sun (or simile of the Sun or metaphor of the Sun) is found in the sixth book of The Republic (507b–509c), written by the Greek philosopher Plato as a dialogue between his brother Glaucon and Socrates, and narrated by the latter. Upon being urged by Glaucon to define goodness, a cautious Socrates professes himself incapable ...
The Belgian comics artist Hergé was plagued by nightmares in which he was chased by a white skeleton, whereupon the entire environment turned white. A psychiatrist advised him to stop making comics and take a rest, but Hergé drew an entire story set in a white environment: the snowy mountaintops of Tibet.
Oneiromancy (from Greek όνειροϛ 'dream' and μαντεία (manteia) 'prophecy') is a form of divination based upon dreams, and also uses dreams to predict the future. Oneirogen plants may also be used to produce or enhance dream-like states of consciousness.
Stranger, dreams verily are baffling and unclear of meaning, and in no wise do they find fulfillment in all things for men. For two are the gates of shadowy dreams, and one is fashioned of horn and one of ivory. Those dreams that pass through the gate of sawn ivory deceive men, bringing words that find no fulfillment.
The Dream was written in 1918, a time in which Europe had suffered from World War I for nearly four years already when it was finally about to come to an end. Furthermore, it originates from a period in which the field of psychology was greatly influenced by psychoanalytic theories of Sigmund Freud and like-minded psychologists. [2]