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As George Joseph notes in his chapter on African Literature [3] in Understanding Contemporary Africa, whereas European views of literature stressed a separation of art and content, African awareness is inclusive and "literature" can also simply mean an artistic use of words for the sake of art alone. Traditionally, Africans do not radically ...
Decolonising the Mind is split into four essays: "The Language of African Literature," "The Language of African Theatre," "The Language of African Fiction," and "The Quest for Relevance." Several of the book's chapters originated as lectures, and apparently this format gave Ngũgĩ "the chance to pull together in a connected and coherent form ...
First (1988) edition Cover artist: Thomas William Bowler, Graham's Town from the Bay Road, 1865 White Writing: On the Culture of Letters in South Africa is a collection of essays by Nobel-laureate J. M. Coetzee, originally published in 1988, and in 2007 was reprinted, with a new introduction, by Pentz Publishers (ISBN 9780980270006).
Bruce King, in a review published in Obsidian: Literature and Arts in the African Diaspora, called it "one of the best books available on African literature". He remarked, "In general the criticism of African literature has been superficial and unanalytical.... Larson's detailed analysis of style, structure and form is an improvement in this ...
It's hailed as one of the greatest works of fiction to emerge from Africa. But Things Fall Apart was written in English, sparking debate about the colonisation of language.
Chinweizu's notable intervention on this theme came in the essay "The Decolonization of African Literature" (later expanded into the 1983 book Toward the Decolonization of African Literature), to which Soyinka responded in an essay entitled "Neo-Tarzanism: The Poetics of Pseudo-Transition". [3]
The New Negro: An Interpretation (1925) is an anthology of fiction, poetry, and essays on African and African-American art and literature edited by Alain Locke, who lived in Washington, DC, and taught at Howard University during the Harlem Renaissance. [1]
She notes in her review in World Literature Today that many of the poems included were written by African statesmen. [3] According to Barnett the works vary from expressions of passion, pain, beauty, betrayal, nostalgia, revolutionary fervour, death, wit, humour and satire.