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Anadrome: a word or phrase that reads as a different word or phrase in reverse; Apronym: an acronym that is also a phrase pertaining to the original meaning RAS syndrome: repetition of a word by using it both as a word alone and as a part of the acronym; Recursive acronym: an acronym that has the acronym itself as one of its components
many figurative senses derived from baseball, e.g. off one's base (crazy), to get to first base (esp. in neg. constr., to get a first important result); more recently (slang), a metaphor for one of three different stages in making out (q.v.) – see baseball metaphors for sex; more s.v. home run: bash
In rhetoric, zeugma (/ ˈ zj uː ɡ m ə / ⓘ; from the Ancient Greek ζεῦγμα, zeûgma, lit. "a yoking together" [1]) and syllepsis (/ s ɪ ˈ l ɛ p s ɪ s /; from the Ancient Greek σύλληψις, súllēpsis, lit. "a taking together" [2]) are figures of speech in which a single phrase or word joins different parts of a sentence. [3]
1. Art 2. Nature 3. Selfie 4. Family 5. Stylin 6. Lost 7. Believe 8. Inspiration 9. Forever 10. Family 11. Home 12. Success 13. Retro 14. Fun 15. Love 16. Thankful
It is different, but related, as it derives from the theme of security initiated by 1. However: 1 is borrowed from Italian banco, a money lender's bench, while a river bank is a native English word. Today they can be considered homonyms with completely different meanings. But originally they were polysemous, since Italian borrowed the word from ...
Tmesis – separating the parts of a compound word by a different word (or words) to create emphasis or other similar effects. Topos – a line or specific type of argument. Toulmin model – a method of diagramming arguments created by Stephen Toulmin that identifies such components as backing, claim, data, qualifier, rebuttal, and warrant.
Double entendres generally rely on multiple meanings of words, or different interpretations of the same primary meaning. They often exploit ambiguity and may be used to introduce it deliberately in a text. Sometimes a homophone can be used as a pun. When three or more meanings have been constructed, this is known as a "triple entendre," etc. [4]
Ordinarily, the first line is a one-word title, the subject of the poem; the second line is a pair of adjectives describing that title; the third line is a three-word phrase that gives more information about the subject (often a list of three gerunds); the fourth line consists of four words describing feelings related to that subject; and the ...