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Johannes Vermeer (/ v ər ˈ m ɪər, v ər ˈ m ɛər / vər-MEER, vər-MAIR, Dutch: [joːˈɦɑnəs fərˈmeːr]; see below; also known as Jan Vermeer; October 1632 – 15 December 1675) was a Dutch painter who specialized in domestic interior scenes of middle-class life. He is considered one of the greatest painters of the Dutch Golden Age.
The Concert (Dutch: Het concert) (c. 1664) is a painting by the Dutch artist Johannes Vermeer depicting a man and two women performing music. It was stolen on March 18, 1990, from the Isabella Stewart Gardner Museum in Boston and remains missing. [1]
A Lady Playing the Guitar (after 1670s) is an oil on canvas painting by an unknown copyist after a c. 1672 work by the Dutch painter Johannes Vermeer. It is an example of Dutch Golden Age painting and is part of the collection of the Philadelphia Museum of Art. The Guitar Player, c. 1672 original in Kenwood House
Officer and Laughing Girl, also known as Officer and a Laughing Girl, Officer With a Laughing Girl or, in Dutch, De Soldaat en het Lachende Meisje (literally, The Soldier and the Laughing Girl), is an oil painting on canvas executed ca. 1657 by the Dutch artist Johannes Vermeer. Its dimensions are 50.5 by 46 cm.
Johannes Vermeer (October 1632 – December 1675) was a Dutch Baroque Period [3] painter who specialized in domestic interior scenes of middle class life. His works have been a common theme in literature and films in popular culture since the rediscovery of his works by 20th century art scholars.
The Music Lesson, Woman Seated at a Virginal or A Lady at the Virginals with a Gentleman by Johannes Vermeer is a painting of a young female pupil playing a virginal during a music lesson with a male teacher. The man's mouth is slightly agape giving the impression that he is singing along with the music that the young girl is playing.
On the left side of the painting is a multi-paned window, from which the light source is provided for the scene. Vermeer used the same window design in nine of his other works (The Music Lesson, The Girl with the Wine Glass, The Glass of Wine, Officer and Laughing Girl, Lady Writing a Letter with her Maid, Woman with a Water Jug, Woman with a Lute, Woman Holding a Balance, and Woman with a ...
Also like Rembrandt, Vermeer cast the faces of the group in shadows, which gives a more expressive, moodier cast to the scene. Vermeer's painting is very similar in feeling to Rembrandt's Bathsheba, painted in 1654, a work Vermeer very likely saw firsthand, according to Wheelock. The poses of the woman whose feet is washed and the one doing the ...