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The Barber of Seville, or The Useless Precaution (Italian: Il barbiere di Siviglia, ossia L'inutile precauzione [il barˈbjɛːre di siˈviʎʎa osˈsiːa liˈnuːtile prekautˈtsjoːne]) is an opera buffa in two acts composed by Gioachino Rossini with an Italian libretto by Cesare Sterbini.
Il barbiere di Siviglia, ovvero La precauzione inutile (The Barber of Seville, or The Useless Precaution) is a comic opera by Giovanni Paisiello to a libretto by Giuseppe Petrosellini, even though his name is not identified on the score's title page. The opera was first performed on 26 September [O.S. 15] 1782 at the Imperial Court, Saint ...
The Barber of Seville (French: Le barbier de Séville) is a 1933 French musical film directed by Hubert Bourlon and Jean Kemm and starring André Baugé, Fernand Charpin and Hélène Robert. [ 1 ] The film's sets were designed by the art director Robert Gys .
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The Barber of Seville (French: Le Barbier de Séville), [3] also released as The Barber of Sevilla, or the Useless Precaution, [2] was a 1904 French silent film directed by Georges Méliès, based on the 1775 play of the same name by Pierre Beaumarchais. [1]
The Barber of Seville or the Useless Precaution [1] (French: Le Barbier de Séville ou la Précaution inutile) is a French play by Pierre Beaumarchais, with original music by Antoine-Laurent Baudron. It was initially conceived as an opéra comique , and was rejected as such in 1772 by the Comédie-Italienne .
The Barber of Seville (Italian: Il barbiere di Siviglia) is a 1947 Italian opera film directed by Mario Costa and starring Ferruccio Tagliavini, Tito Gobbi and Nelly Corradi. It is an adaptation of Gioachino Rossini 's 1816 opera The Barber of Seville .
Largo al factotum" (Make way for the factotum) is an aria (cavatina) from The Barber of Seville by Gioachino Rossini, sung at the first entrance of the title character, Figaro. The repeated "Figaro"s before the final patter section are an icon in popular culture of operatic singing.