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David Kunzle, "Fashion and fetishism: a social history of the corset, tight-lacing, and other forms of body-sculpture in the West", Rowman and Littlefield, 1982, ISBN 0-8476-6276-4 Bound To Please: A History of the Victorian Corset , Leigh Summers, Berg Publishers, 2001.
Fashion in the 1850s through the 1880s accented large crinolines, cumbersome bustles, and padded busts with tiny waists laced into 'steam-moulded corsetry'. [4] 'Tight-lacing' became part of the corset controversy: dress reformists claimed that the corset was prompted by vanity and foolishness, and harmful to health. The reported health risks ...
"Tight Lacing, or Fashion before Ease" Beginning in the mid-1820s, women's fashion returned to the full skirts of the prior century. In a repudiation of the Empire silhouette, the waist became the central focus of female dress and the corset evolved to encompass the waist and hips.
Victorian fashion consists of the various fashions and trends in British culture that emerged and developed in the United Kingdom and the British Empire throughout the Victorian era, roughly from the 1830s through the 1890s. The period saw many changes in fashion, including changes in styles, fashion technology and the methods of distribution.
The tight lacing of corsets worn in the 19th and early 20th centuries emphasized both cleavage and the size of the bust and hips. Evening gowns and ball gowns were especially designed to display and emphasize the décolletage. [43] [44] Elaborate necklaces decorated the décolletage at parties and balls by 1849. [92]
Corsets and tight-lacing were extensively explored by EDM. Tight-lacing was used as a way to enhance a women's figure, as it gradually added pressure on her waist to make it smaller over time. Some women slept in their corsets in hopes of tying it tighter in the morning. EDM had a correspondence column called, “The Corset Correspondence”.
The dark gown has short puffed sleeves and is worn over tight undersleeves and a pink petticoat trimmed with rows of braid at the hem. The lace-edged apron shows creases from starching and ironing, 1630. Portrait of an unknown woman wearing the informal English fashion of a brightly coloured bodice and petticoat without an overgown. Her bodice ...
A daguerreotype of a Victorian couple from the 1840s showing a pelerine. Riding habits consisted of a high-necked, tight-waisted jacket with long snug sleeves, worn over a tall-collared shirt or chemisette, with a long matching petticoat or skirt. Contrasting waistcoats or vests cut like those worn by men were briefly popular.
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