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Slocum has written and produced many hit songs for Country/Pop and Christian music as well as many jingles. "Grace Changes Everything" was his first hit as a solo artist and climbed to No. 7 (AC radio 2000). Jamie Slocum's single " Dependence" (Curb 2009) was a number No. 1 hit for 11 weeks on light AC radio. [2]
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Gracenote provides its media management technology and global media database of digital entertainment information to the mobile, automobile, portable, home, and PC markets. Several software applications which were capable of playing CDs (e.g. Media Go and iTunes,) used Gracenote's CDDB technology.
What's So Amazing About Grace? is a 1997 book by Philip Yancey, an American journalist and editor-at-large for Christianity Today.The book examines grace in Christianity, contending that people crave grace and that it is central to the gospel, but that many local churches ignore grace and instead seek to exterminate immorality.
"A Moment Changes Everything" is the first single taken from David Gray's ninth studio album Foundling. The song was at one point scheduled to be included on a re-release of Gray's previous album Draw the Line , together with other unreleased tracks from that album's sessions.
Charles Ward "Chuck" Smith (June 25, 1927 – October 3, 2013) was an American pastor who founded the Calvary Chapel movement. Beginning with the 25-person Costa Mesa congregation in 1965, Smith's influence now extends to "more than 1,000 churches nationwide and hundreds more overseas", [1] some of which are among the largest churches in the United States.
Mood Changes [1] is a jazz album by American saxophonist and vocalist Grace Kelly. It was released on May 5, 2009. The tracks "101" and "I Want to Be Happy" were winners of the 2008 ASCAP Young Jazz Composers Award [2] [3] and the 2008 Downbeat Magazine student music awards. [4] The liner notes were written by the Los Angeles Times journalist ...
"Love Changes Everything" is a song from the musical Aspects of Love, composed by Andrew Lloyd Webber, with a lyric written by Charles Hart and Don Black. [1] It was first sung in the musical by the character Alex Dillingham, which was originated by Michael Ball in both the London and Broadway casts.