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5 Centimeters per Second (Japanese: 秒速5センチメートル, Hepburn: Byōsoku Go Senchimētoru) is a 2007 Japanese romantic drama animated film written and directed by Makoto Shinkai. It theatrically premiered on 3 March 2007.
PL/I—Programming Language One; PL/M—Programming Language for Microcomputers; PL/P—Programming Language for Prime; PLT—Power Line Telecommunications; PMM—POST Memory Manager; PNG—Portable Network Graphics; PnP—Plug-and-Play; PNRP—Peer Name Resolution Protocol; PoE—Power over Ethernet; PoS—Point of Sale; POCO—Plain Old Class ...
5 Centimeters per Second, directed by Makoto Shinkai, won the inaugural Asia Pacific Screen Award for Best Animated Feature Film in 2007, and so far, anime films have been nominated for the award every year. By 2004, over two hundred shows were aired on television. [48]
The first fully mechanical analog computer, the Z1, operated at 1 Hz (cycle per second) clock frequency and the first electromechanical general purpose computer, the Z3, operated at a frequency of about 5–10 Hz. The first electronic general purpose computer, the ENIAC, used a 100 kHz clock in its cycling unit. As each instruction took 20 ...
The 5 centimeters band, a radio frequency band in the United States; An imprint of Hong Kong clothing company I.T; 5 Centimeters Per Second, a Japanese anime film;
His anime credits include 5 Centimeters per Second, The Garden of Words, Your Name, Weathering With You and Suzume. JPL · 55222: 55223 Akiraifukube: 2001 RQ 63: Akira Ifukube (1914–2006) was a Japanese composer of film scores and classical music. He is best known for the music for the 1954 movie Gojira, also known in the West as Godzilla ...
Computer programming or coding is the composition of sequences of instructions, called programs, that computers can follow to perform tasks. [1] [2] It involves designing and implementing algorithms, step-by-step specifications of procedures, by writing code in one or more programming languages.
Use of the program came about due to issues created by the source material, which set its events in grand aristocratic houses and consequently made key animation challenging. After trying several different animation types and getting nowhere, Maeda tried the computer-managed layering system, which made the process both possible and much easier ...