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To store the digitally encoded audio/video on a standard NTSC Video8 cassette, the tape must be run at double the Hi8 speed. Thus, a 120-minute NTSC Hi8 tape yields 60 minutes of Digital8 video. Most Digital8 units offer an LP mode, which increases the recording time on an NTSC P6-120 tape to 90 minutes. For PAL, the Digital8 recorder runs 1½ ...
Hitachi VM-D965LE Digital8 Camcorder. Analog Hi8 video enjoyed widespread use in the amateur home video market, current affairs TV programs, and some professional news organizations. Digital8 remained largely a consumer or amateur product (Among the exceptions was the 2001 film Hall of Mirrors.) This is likely a reflection of Sony's design and ...
The Flip Video was a series of tapeless camcorders introduced by Pure Digital Technologies in 2006. Slightly larger than a smartphone, the Flip Video was a basic camcorder with record, zoom, playback and browse buttons and a USB jack for uploading video. The original models recorded at a 640x480-pixel resolution; later models featured HD ...
Regular DV tape uses Metal Evaporate (ME) formulation (which, as the name suggests, uses physical vapor deposition to deposit metal onto the tape [25]), which was pioneered for use in Hi8 camcorders. Early Hi8 ME tapes were plagued with excessive dropouts, which forced many shooters to switch to more expensive MP tapes.
The cassettes have the same dimensions and construction as the cassettes used in 8 mm video format recorders and camcorders. Until the advent of AIT, Exabyte was the sole vendor of 8 mm format tape drives. The company was formed with the aim of taking the 8 mm video format and making it suitable for data storage.
Audio data was stored in the DTRS (Digital Tape Recording System) format on Hi8 video cassettes, allowing up to 108 minutes of continuous recording on a single tape. [3] [4] In 1995, the TASCAM DA-88 won the Emmy award for technical excellence. [5] The affordability and digital format of the DA-88 led to sales of more than 60,000 units by 1999.
The Sony Ruvi is an analog video and still video camera released in 1998. The Ruvi was considerably smaller than any other camcorder available at the time, at 124 mm × 66 mm × 44.1 mm and 380 g. The Ruvi was considerably smaller than any other camcorder available at the time, at 124 mm × 66 mm × 44.1 mm and 380 g.
The VX1000 was based on Sony's earlier VX1 (PAL) and VX3 (NTSC) Hi8 camcorders, which were similarly intended as "prosumer" models, targeted at both high-end consumer and low-end professional users. In the mid-1990s, Sony began to move away from Hi8 tape in favor of the emerging DV format, and as a result the VX3 and VX1 were discontinued in 1995.
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