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Where art historian José Camón Aznar had attributed between 787 and 829 paintings to El Greco, Wethey reduced the number to 285 authentic works. Halldor Sœhner, a German researcher of Spanish art, recognized only 137. [7] Both Wethey and Sœhner divided in their catalogues the works in those painted by El Greco and those produced by his ...
El Greco catalog raisonné, 1969, 131I ; El Greco, 220; El Greco and his school, 167; The complete paintings of El Greco, 1541-1614, 273; El Greco, the life and work of the artist, 55; NYARC Discovery ID: b1552460
Wikidata:WikiProject sum of all paintings/Catalog/The complete paintings of El Greco, 1541-1614 Metadata This file contains additional information, probably added from the digital camera or scanner used to create or digitize it.
El Greco's altarpieces are renowned for their dynamic compositions and startling innovations. Art historian Max Dvořák was the first scholar to connect El Greco's art with Mannerism and Antinaturalism. [34] Modern scholars characterize El Greco's theory as "typically Mannerist" and pinpoint its sources in the Neoplatonism of the Renaissance. [35]
Paintings by Doménicos Theotokópoulos (Greek: Δομήνικος Θεοτοκόπουλος), called El Greco ("the Greek", 1541 – April 7, 1614), a Greek-born painter who worked in Crete, Italy and Spain
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".This photographic reproduction is therefore also considered to be in the public domain in the United States.
Wikidata:WikiProject sum of all paintings/Catalog/El Greco catalog raisonné, 1969; Wikidata:WikiProject sum of all paintings/Catalog/El Greco catalogue raisonné, 1908; Wikidata:WikiProject sum of all paintings/Catalog/The complete paintings of El Greco, 1541-1614; Wikidata:WikiProject sum of all paintings/Catalog/El Greco. Domenikos ...
The anatomy of the human body becomes even more otherworldly in El Greco's mature works; for The Immaculate Conception (El Greco, Toledo) El Greco asked to lengthen the altarpiece itself by another 1.5 ft (0.46 m) "because in this way the form will be perfect and not reduced, which is the worst thing that can happen to a figure". A significant ...