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"One of Us Must Know (Sooner or Later)" is a song by the American singer-songwriter Bob Dylan, which was released as a single on February 14, 1966, and as the fourth track on his seventh studio album Blonde on Blonde in June of that year. The song was written by Dylan and produced by Bob Johnston. It is the narrator's account of a burned-out ...
Dylan was satisfied with "One of Us Must Know"; the January 25 take was released as a single a few weeks later and was subsequently selected for the album. [21] Another session took place on January 27, this time with Robertson, Danko, Kooper and Gregg. Dylan and his band recorded "Leopard-Skin Pill-Box Hat" and "One of Us Must Know (Sooner or ...
In his book Wicked Messenger: Bob Dylan in the 1960s, critic Mike Marqusee writes that the closing verse "hints at a dark betrayal that is both portentous and frighteningly devoid of meaning": [4] Well they sent for the ambulance And one was sent Somebody got lucky But it was an accident Now I'm pledging my time to you Hopin' you'll come ...
[36] [37] Members included Stephen Duffy, a founder member of Duran Duran, and Dave Kusworth, later of Jacobites. [36] Later renamed the Hawks, they released only one single before breaking up at the end of 1981, although a compilation of their recordings was released in 2021 as the album Obviously 5 Believers .
Scholar Laurence Coupe has argued that the identity of the title character "echoes" Jack Kerouac's Visions of Gerard (written 1956, published 1963), and the song as a whole, like the novel, "would seem to be about the hunger for beatific experience—the hope that the sacred realm might yet be glimpsed within the profane.
Its front cover comprised a studio photo of Dylan holding a book of Renaissance paintings, and the album itself had a slightly different track listing. " Positively 4th Street " was omitted, but " She Belongs to Me ", " It's All Over Now, Baby Blue ", and " One of Us Must Know (Sooner or Later) " were added.
It has been suggested that Sedgwick was an inspiration for other Dylan songs of the time as well, particularly some from Blonde on Blonde; [26] [25] Heylin thought that "One of Us Must Know (Sooner or Later)" was an example. [22] Asked in a 1969 interview with Jann Wenner what the song was about, Dylan replied: [27] It's just about that.
[28] [27] One-off acoustic performances in 1974 and 1978 have been criticized as "among Dylan's worst-ever live performances" by Heylin, [29] who praised the 1966 performances, where he felt Dylan was focused, and a 1975 Rolling Thunder Revue live rendition that he felt "came caressingly close to [the song's] corrosive core". [29]