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The Musée d'Orsay (UK: / ˌ m juː z eɪ d ɔːr ˈ s eɪ / MEW-zay dor-SAY, US: / m juː ˈ z eɪ-/ mew-ZAY-, French: [myze dɔʁsɛ]) (English: Orsay Museum) is a museum in Paris, France, on the Left Bank of the Seine. It is housed in the former Gare d'Orsay, a Beaux-Arts railway station built between 1898 and 1900.
Répétition du "Joueur de flûte" et de "La femme de Diomède" chez le prince Napoléon; The Republic (Daumier) Resting by a Stream at the Edge of the Wood; Resting Under a Lilac Bush; The Resurrection of Lazarus; The Return from Fishing: Hauling the Boat; The Romans in their Decadence; Rue de la Chaussée in Argenteuil; Le ruisseau noir
Musée d'Orsay, Paris Self-Portrait, Pierre-Auguste Renoir: 1876: 73.3 cm × 57.3 cm (28.9 in × 22.6 in) Fogg Art Museum, Cambridge, Massachusetts Bal du Moulin de la Galette (Dance at Le Moulin de la Galette) 1876: 131 cm × 175 cm (52 in × 69 in) Musée d'Orsay, Paris Nude woman sitting on a couch (Anna) 1876
Works of art in the collection of the Musée d'Orsay, Paris, France. Subcategories. ... Paintings in the Musée d'Orsay (151 P) Photographs in the Musée d'Orsay (6 P) S.
The Oreads (French: Les Oréades) is an oil painting by the French artist William-Adolphe Bouguereau, painted in 1902.Its dimensions are 236 × 182 cm. [citation needed] In 2009 the descendants of the artist donated the artwork to the Musée d'Orsay in Paris, where it is now exhibited.
The Circus (French: Le Cirque) is an oil on canvas painting by Georges Seurat. It was his last painting, made in a Neo-Impressionist style in 1890–91, and remained unfinished at his death in March 1891. The painting is located at the Musée d'Orsay in Paris.
L'Origine du monde in the Musée d'Orsay. By the very nature of its realistic, graphic nudity, the painting still has the power to shock and trigger censorship. Although moral standards and resulting taboos regarding the artistic display of nudity have changed since Courbet, owing especially to photography and cinema, the painting remained ...
The painting, entitled Le fifre, was rejected by the jury of the Salon of 1866. Outraged by the jury's decision, Émile Zola, an early champion of Manet's art, published a series of articles in the newspaper L'Évenement, that praised Manet's realist style and modern content. Following the example of Gustave Courbet, in May 1867, Manet ...