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A tipi or tepee (/ ˈ t iː p i / TEE-pee) is a conical lodge tent that is distinguished from other conical tents by the smoke flaps at the top of the structure, and historically made of animal hides or pelts or, in more recent generations, of canvas stretched on a framework of wooden poles.
Plains hide painting is a traditional North American Plains Indian artistic practice of painting on either tanned or raw animal hides. Tipis, tipi liners, shields, parfleches, robes, clothing, drums, and winter counts could all be painted.
Clusters of stones circles are often found in favorable camp-sites, near water, fuel and good hunting grounds. In many cases the clusters are organized in patterns, such as rows, circles or v-shapes. The stones were used to hold down the tipis to keep the lodge warm and dry. In some cases elaborate walls or defensive structures were built.
A flap in the animal skins serves as a doorway, and a hole in the center of the tepee’s roof allows smoke and heat to escape. In Lakota culture, the four sides of a tepee represent both space and time. The tepee itself symbolizes the world, with each corner embodying one of the four cardinal directions. [6]
Shaking tents could be a lodge or a teepee used to summon spirits. Shaking tent ceremony is a ritual of some Indigenous people in North America that is used to connect the people with the spirit realm and establish a connection and line of communication between the spirit world and the mortal world.
On a special episode (first released on January 2, 2025) of The Excerpt podcast: For centuries, Native American art has been viewed through the lens of collectors, art historians, and tourists ...
After horses were introduced to North America, many Plains Indian tribes began to make larger horse-drawn travois. Instead of making specially constructed travois sleds, they would simply cross a pair of tepee poles across the horse's back and attach a burden platform between the poles behind the horse. This served two purposes at once, as the ...
In the past, Western art historians have considered use of Western art media or exhibiting in international art arena as criteria for "modern" Native American art history. [47] Native American art history is a new and highly contested academic discipline, and these Eurocentric benchmarks are followed less and less today.
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