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Except when the topic is necessarily tied to it (examples: downblouse and upskirt), avoid examples of male-gaze imagery, where women are presented as objects of heterosexual male appreciation. [34] When adding an image of part of a woman's body, consider cropping the image to focus on that body part.
Adding women back into men's biographies, organizations they participated in, or other women's lives is another means of restoring the historical contributions of women. There may not be sufficient sourcing available now to meet Wikipedia notability standards, but as information becomes available, adequate information may come to light for a ...
[4] [5] In the computer sciences, women in early pictures of computers were assumed to be models, when in fact, they were programmers. [6] Later, women computer programmers were actively pushed out of the field and then forgotten by history. [7] The men working on technology projects are celebrated and the women ignored. [8]
Hélène Cixous first coined écriture féminine in her essay "The Laugh of the Medusa" (1975), where she asserts "woman must write her self: must write about women and bring women to writing, from which they have been driven away as violently as from their bodies" because their sexual pleasure has been repressed and denied expression.
The academic discipline of women's writing is a discrete area of literary studies which is based on the notion that the experience of women, historically, has been shaped by their sex, and so women writers by definition are a group worthy of separate study: "Their texts emerge from and intervene in conditions usually very different from those which produced most writing by men."
A photographic essay or photo-essay for short is a form of visual storytelling, a way to present a narrative through a series of images. A photo essay delivers a story using a series of photographs and brings the viewer along a narrative journey. [1] Examples of photo essays include: A web page or portion of a web site.
Nochlin considers the history of women's lack of art education as well as the nature of art and of artistic genius as they are currently defined. The essay has also served as an important impetus for the rediscovery of women artists, followed as it was by the exhibition Women Artists: 1550–1950. [9]
Women Writing Culture took three forms: a 1991 seminar at the University of Michigan, a 1993 special issue of the journal Critique of Anthropology, and the 1995 book.These were organized, in part, in response to the 1986 book Writing Culture: The Poetics and Politics of Ethnography, edited by James Clifford and George E. Marcus. [7]