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The triptych format has been used in non-Christian faiths, including, Judaism, Islam, and Buddhism. For example: the triptych Hilje-j-Sherif displayed at the National Museum of Oriental Art, Rome, Italy, and a page of the Qur'an at the Museum of Turkish and Islamic Arts in Istanbul, Turkey, exemplify Ottoman religious art adapting the motif. [7]
Twentieth-century art historians are divided as to whether the triptych's central panel is a moral warning or a panorama of the paradise lost. He painted three large triptychs (the others are The Last Judgment of c. 1482 and The Haywain Triptych of c. 1516) that can be read from left to right and in which each panel was essential to the meaning ...
The Three Studies are generally considered Bacon's first mature piece; [3] he regarded his works before the triptych as irrelevant, and throughout his life tried to suppress their appearance on the art market. When the painting was first exhibited in 1945 it caused a sensation and established him as one of the foremost post-war painters.
Some definitions restrict "polyptych" to works with more than three sections: [1] a diptych is a two-part work of art; a triptych is a three-part work; a tetraptych or quadriptych has four parts. The great majority of historical examples a paintings with religious subjects, but in the 20th century the format became popular again for portraits ...
As well as being Bacon's first large format triptych, Three Studies for a Crucifixion introduced the later and often repeated visual motif a human body turned inside out. This idea was drawn from a long tradition in art history, and was influenced strongly by Rembrandt's Side of beef and Chaïm Soutine's Carcass of Beef. [5]
Triptych, May–June 1973 was purchased at auction in 1989 by Swiss businesswoman Esther Grether for $6.3 million ($15.5 million as of 2023), then a record for a Bacon painting. [7] [8] [9] Grether is believed to own three other Bacon triptychs from the 1970s. Triptych March 1974 1974 Catalogue Raisonné Number 74-02 Oil on canvas 198 x 147.5cm ...
Departure is an oil-on-canvas triptych by German artist Max Beckmann begun in Frankfurt in 1932 and completed in Berlin from 1933 to 1935. It was the first of nine triptychs that the artist created. The panels, according to Beckmann, are named The Castle (left), The Homecoming (middle) and The Staircase (right).
Stavelot Triptych, Mosan, Belgium, c. 1156–58. 48×66 cm with wings open, The Morgan Library & Museum, New York City The Stavelot Triptych is a medieval reliquary and portable altar in gold and enamel intended to protect, honor and display pieces of the True Cross .
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