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"One of Us Must Know (Sooner or Later)" is a song by the American singer-songwriter Bob Dylan, which was released as a single on February 14, 1966, and as the fourth track on his seventh studio album Blonde on Blonde in June of that year. The song was written by Dylan and produced by Bob Johnston. It is the narrator's account of a burned-out ...
Dylan was satisfied with "One of Us Must Know"; the January 25 take was released as a single a few weeks later and was subsequently selected for the album. [21] Another session took place on January 27, this time with Robertson, Danko, Kooper and Gregg. Dylan and his band recorded "Leopard-Skin Pill-Box Hat" and "One of Us Must Know (Sooner or ...
"Rainy Day Women #12 & 35" (sometimes referred to erroneously as "Everybody Must Get Stoned") [1] is a song written and recorded by the American singer-songwriter Bob Dylan. Columbia Records first released an edited version as a single in March 1966, which reached numbers two and seven in the US and UK charts respectively.
Scholar Laurence Coupe has argued that the identity of the title character "echoes" Jack Kerouac's Visions of Gerard (written 1956, published 1963), and the song as a whole, like the novel, "would seem to be about the hunger for beatific experience—the hope that the sacred realm might yet be glimpsed within the profane.
It has been suggested that Sedgwick was an inspiration for other Dylan songs of the time as well, particularly some from Blonde on Blonde; [26] [25] Heylin thought that "One of Us Must Know (Sooner or Later)" was an example. [22] Asked in a 1969 interview with Jann Wenner what the song was about, Dylan replied: [27] It's just about that.
One Too Many Mornings [261] Sad Eyed Lady of the Lowlands [261] Well, Well, Well: Co-written with Danny O'Keefe [261] Mick Hucknall: One of Us Must Know (Sooner or Later) [3] Meg Hutchinson: Born in Time [52] Chrissie Hynde: I Shall Be Released [37] Ian & Sylvia: Tomorrow Is a Long Time [262] Indigo Girls: All Along the Watchtower [26] Don't ...
[28] [27] One-off acoustic performances in 1974 and 1978 have been criticized as "among Dylan's worst-ever live performances" by Heylin, [29] who praised the 1966 performances, where he felt Dylan was focused, and a 1975 Rolling Thunder Revue live rendition that he felt "came caressingly close to [the song's] corrosive core". [29]
Bob Dylan's Greatest Hits is a 1967 compilation album of songs by the American singer-songwriter Bob Dylan.Released on March 27, 1967, by Columbia Records, it was a stopgap between Dylan's studio albums Blonde on Blonde and John Wesley Harding, during which time he had retreated from the public eye to recover from a motorcycle accident.