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Ruston Samuel Kelly (born July 31, 1988) is an American singer-songwriter. After signing with the music publisher BMG Nashville in 2013, his song "Nashville Without You" appeared on Tim McGraw's album Two Lanes of Freedom. [1]
"Without You" is a song written by Joe West and Dave Pahanish [2] and recorded by Australian country music artist Keith Urban. It was released in February 2011 as the second single from Urban's 2010 album Get Closer. The song reached number one on the U.S. Billboard Hot Country Songs chart. [3]
"The Nashville Scene" by Hank Williams Jr. from Five-O 1985 "Nashville Rash" by Dale Watson "Nashville Skyline Rag" by Bob Dylan 1969, country rock from Nashville Skyline "Nashville West" by The Byrds "Nashville Winter" by Nick 13 "Nashville Without You" by Tim McGraw "Never Goin' Back To Nashville" by John Stewart, The Lovin' Spoonful
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On September 26, 2020 a special limited edition retrospective of Jimmy Sweeney's music entitled "Without You" was released on Org Music. A limited run of 1300 copies was released. The track listing included the first commercially available release of "Without You" as well as other prior unreleased recordings.
The Nashville music track lists performers under a group listing of "Nashville Cast", with the actors performing vocals co-listed with "Nashville Cast" on the track listing. Some songs are performed by multiple actors (i.e., "Love Like Mine", "Telescope") and are differentiated by which actor performs on the track.
Johnny Tillotson (born April 20, 1938) is an American singer-songwriter. [1] He enjoyed his greatest success in the early 1960s, when he scored nine top-ten hits on the pop, country, and adult contemporary Billboard charts, including "Poetry in Motion" and the self-penned "It Keeps Right On a-Hurtin'" and "Without You".
"Lay Lady Lay", sometimes rendered "Lay, Lady, Lay", [3] is a song written by Bob Dylan and originally released in 1969 on his Nashville Skyline album. [4] Like many of the tracks on the album, Dylan sings the song in a low croon, rather than in the high nasal singing style associated with his earlier (and eventually later) recordings. [ 5 ]