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The Aphrodisia festival was one of the most important ceremonies in Delos, though not much is known about the details of the celebration. The inscriptions merely indicate that the festival required the purchase of ropes, torches and wood, which were customary expenses of all Delian festivals. [3]
The Adonia (Greek: Ἀδώνια) was a festival celebrated annually by women in ancient Greece to mourn the death of Adonis, the consort of Aphrodite. It is best attested in classical Athens , though other sources provide evidence for the ritual mourning of Adonis elsewhere in the Greek world, including Hellenistic Alexandria and Argos in the ...
The Aphrodite of Rhodes (Greek: Αφροδίτη της Ρόδου) also known as the Crouching Venus of Rhodes is a marble sculpture of the Greek goddess Aphrodite housed in the Archaeological Museum of Rhodes in Rhodes, Greece. It depicts Aphrodite in the crouching Venus pose, where the goddess crouches her right knee close to the ground and ...
Greek geographer Strabo described Corinth’s lust to the civilians. He said that the temple of Aphrodite once had acquired more than a thousand prostitutes, donated by both men and women to the service of the Goddess. [3] In this temple, 1,000 girls worked in this manner to gather funds for their deity. [3]
The temple of Aphrodite [in Korinthos in the days of the tyrant Kypselos] was so rich that it owned more than a thousand temple slaves, courtesans, whom both men and women had dedicated to the goddess. And therefore it was also on account of these women that the city was crowded with people and grew rich; for instance, the ship captains freely ...
The Aphrodite Rhithymnia (Ancient Greek: Ἀφροδίτη Ῥιθυμνία, romanized: Aphrodítē Rhithumnía, lit. 'Aphrodite of Rhithymna'), also known as Aphrodite of Lappa (Greek: Αφροδίτη της Λάππας), is a Roman statue of the first century AD found at the site of ancient Lappa, in modern-day Argyroupoli, western Crete, Greece.
From ancient history to the modern day, the clitoris has been discredited, dismissed and deleted -- and women's pleasure has often been left out of the conversation entirely. Now, an underground art movement led by artist Sophia Wallace is emerging across the globe to challenge the lies, question the myths and rewrite the rules around sex and the female body.
[10] To honour Aphrodite's and Peitho's role in the unification of Attica, the Aphrodisia festival was organized annually on the fourth of the month of Hekatombaion (the fourth day of each month was the sacred day of Aphrodite). The Synoikia that honoured Athena, the protectress of Theseus and main patron of Athens, also took place in the month ...