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The color plates are supplemented by black-and-white line drawings as well as by black-and-white photographs of cacti, ranging from long shots taken in the field to close-up details. [2] One contemporary reviewer called The Cactaceae "the most sumptuous botanical publication" since William Rickatson Dykes' 1913 book The Genus Iris. [4]
Floral diagram of Anagallis arvensis. [1]: 307 The dot represents the main axis, green structure below is the subtending bract.Calyx (green arcs) consists of five free sepals; corolla (red arcs) consists of five fused petals.
Pierre-Joseph Redouté (French pronunciation: [pjɛʁ ʒozɛf ʁədute], 10 July 1759 – 19 June 1840), was a painter and botanist from the Austrian Netherlands, known for his watercolours of roses, lilies and other flowers at the Château de Malmaison, many of which were published as large coloured stipple engravings. [1]
While a few drawings were done in black ink or pencil, most were finely enhanced with watercolor. Many were published in Flora Parisiensis , [ 53 ] by Poiteau and Turpin (1808) and some by Turpin (and Ernestine Panckoucke ) in Flore médicale [ 54 ] by François-Pierre Chaumeton (1814–1820).
Unable to pay for models to pose for portraits, Van Gogh threw himself heartily into painting still lifes of flowers, "red poppies, blue corn flowers and myosotis, white and red roses, yellow chrysanthemums." [45] Bowl with Sunflowers, Roses and Other Flowers, 1886, Kunsthalle Mannheim, Mannheim, Germany (F250)
Pen and black ink on light cream wove paper 50.01 cm x 31.75 cm Ann Arbor University of Michigan Museum of Art [21] Teeny: 1938 Linoleum block print on paper 30.3 cm x 22.7 cm Ann Arbor University of Michigan Museum of Art [22] Romanian Blouse: Blouse romaine: 1938 Charcoal Canberra: NGA: Drawing of a Woman: Dessin d'une femme: 1944 Pen and ink ...
Georgia O'Keeffe, Untitled, vase of flowers, watercolor on paper, 17 + 3 ⁄ 4 in × 11 + 1 ⁄ 2 in (45.1 cm × 29.2 cm), between 1903 and 1905. O'Keeffe experimented with depicting flowers in her high school art class. Her teacher explained how important it was to examine the flower before drawing it.
Gongbi requires drawing with fine lines first to represent the exaggerated likenesses of the objects, and then adds washes of ink and color layer by layer, so as to approach the perfection of exquisiteness and fine art. The practice of Gongbi is specifically on rice paper when sketching out the design and layout of the drawing.
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