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The Royal Watercolour Society is a British institution of painters working in watercolours. The Society is a centre of excellence for water-based media on paper, which allows for a diverse and interesting range of approaches to the medium of watercolour. Its members, or associates, use the post-nominal initials RWS and ARWS (associate member).
Eagerly collected in today's art markets the best are notably housed in Library and Archives Canada, the National Gallery of Canada and the Royal Ontario Museum. Prior to the invention of the camera, watercolour portrait miniatures, on vellum or ivory, were a staple in the homes of Canada's urban elite.
In 1831 the society was founded as the New Society of Painters in Water Colours, competing with the Royal Watercolour Society (RWS), which had been founded in 1804. The founding members were William Cowen, James Fudge, Thomas Maisey (treasurer), O. F. Phillips, Joseph Powell (president), W. B. S. Taylor, and Thomas Charles Wageman.
Of the 581 works of art, 501 of were watercolors. [8] The club combined exhibition venues with the American Water Color Society between 1922 and 1931. The two organizations merged, having created a new constitution, and was named the American Watercolor Society in January 1941. [5]
The project catalogues and makes freely available watercolours of identifiable places and landscapes, primarily drawn between 1750 and 1900. [7] Images are taken from private, governmental and military collections − the latter stemming from the fact that officers at the Royal Military Academy, Woolwich studied drawing and were taught how to survey landscapes by artists such as Paul Sandby. [8]
The Australian Watercolour Institute (AWI) is a non-profit membership organization devoted to the advancement of watercolour painting in Australia. It was founded in 1923 by six painters in Sydney , and was modeled after the Royal Watercolour Society and the American Watercolor Society .
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