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Celtic knots (Irish: snaidhm Cheilteach, Welsh: cwlwm Celtaidd, Cornish: kolm Keltek, Scottish Gaelic: snaidhm Ceilteach) are a variety of knots and stylized graphical representations of knots used for decoration, used extensively in the Celtic style of Insular art.
The Royal Arms of Scotland [2] is a coat of arms symbolising Scotland and the Scottish monarchs.The blazon, or technical description, is "Or, a lion rampant Gules armed and langued Azure within a double tressure flory counter-flory of the second", meaning a red lion with blue tongue and claws on a yellow field and surrounded by a red double royal tressure flory counter-flory device.
This is the pronunciation key for IPA transcriptions of Scottish Gaelic on Wikipedia. It provides a set of symbols to represent the pronunciation of Scottish Gaelic in Wikipedia articles, and example words that illustrate the sounds that correspond to them.
The Celtic deities are known from a variety of sources such as written Celtic mythology, ancient places of worship, statues, engravings, religious objects, as well as place and personal names. Celtic deities can belong to two categories: general and local.
Scottish Gaelic orthography has evolved over many centuries and is heavily etymologizing in its modern form. This means the orthography tends to preserve historical components rather than operating on the principles of a phonemic orthography where the graphemes correspond directly to phonemes .
The Royal Banner of the Royal Arms of Scotland, [1] also known as the Royal Banner of Scotland, [2] [3] or more commonly the Lion Rampant of Scotland, [4] and historically as the Royal Standard of Scotland, (Scottish Gaelic: Bratach rìoghail na h-Alba, Scots: Ryal banner o Scotland) or Banner of the King of Scots, [5] is the royal banner of Scotland, and historically, the royal standard of ...
Of all the Celtic languages, lexical tones only exist in the dialects of Lewis [17] and Sutherland [18] in the extreme north of the Gaelic-speaking area. Phonetically and historically, these resemble the tones of Norway, Sweden and southwestern Denmark; these languages have tonal contours typical for monosyllabic words and those for disyllabic ...
Due to its presence in insular Celtic art, Celtic Reconstructionists use the triquetra either to represent one of the various triplicities in their cosmology and theology (such as the tripartite division of the world into the realms of Land, Sea, and Sky), [6] or as a symbol of one of the specific Celtic triple goddesses – for example the ...