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Helmar Lerski (18 February 1871, in Strasbourg – 19 September 1956, in Zürich) was a photographer who laid some of the foundations of modern photography. His works are on display in the USA, Germany, Israel and Switzerland. He focused mainly on portraits and the technique of photography with mirrors. His birth name was Israel Schmuklerski.
Claude Lorrain mirror in shark skin case. A Claude glass (or black mirror) is a small mirror, slightly convex in shape, with its surface tinted a dark colour. Bound up like a pocket-book or in a carrying case, Claude glasses were used by artists, travelers and connoisseurs of landscape and landscape painting.
A bronze mirror found in the grave of Marquis of Haihun in China (died in 53 BC) was 47 centimeters across (at the thickness of 12 millimeters). [10] Most researchers assume the cheval mirror to be a European invention (however, Wu Hung asserts that the furniture piece was first created in China using European glass panes). [11]
When the mirror was placed in the same position as the original plate of glass, the reflective part blocked a portion of the miniature building behind it and also reflected the stage behind the camera. The actors were placed several meters away from the mirror so that when they were reflected in the mirror, they would appear at the right size.
Opalotype or opaltype is an early technique of photography. Opalotypes were printed on sheets of opaque, translucent white glass; early opalotypes were sometimes hand-tinted with colors to enhance their effect. The effect of opalotype has been compared "to watercolor or even pastel in its softer coloring and tender mood."
His 'Mirror' analogy represents self-reflective photography, represented in the book by Jerry Uelsmann, Paul Caponigro, Ralph Gibson, Duane Michals, Judy Dater and others; while the idea of the 'Window' is found in the documentary approach, exemplified by inclusions of work by Diane Arbus, Lee Friedlander, Henry Wessel, Joel Meyerowitz, and ...
Splitting the beam allows its use for multiple purposes simultaneously. The thinness of the mirror practically eliminates beam or image doubling due to a non-coincident weak second reflection from the nominally non-reflecting surface, a problem with mirror-type beam splitters. [1] The name pellicle is a diminutive of pellis, a skin or film.
In tabletop still life photography, small mirrors and card stock are used extensively, both to reduce lighting contrast and create highlights on reflective subjects such as glassware and jewelry. Larger-scale subjects such as motor vehicles require the use of huge "flats", often requiring specialised motorized winches to position them accurately.