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Painting by Gottfried Lindauer of a moko being carved into a man's face by a tohunga-tā-moko (tattooist) A collection of kōrere (feeding funnels). Historically the skin was carved by uhi [6] (chisels), rather than punctured as in common contemporary tattooing; this left the skin with grooves rather than a smooth surface.
The kete is made of flax fibre dyed black, woven in double-row twining, with two rows of pheasant feathers along the bottom; it is decorated with a taniko border in black, brown, yellow, and white, . [15] In common with other Māori artists, Puketapu-Hetet believed that art has a spiritual dimension and hidden meanings:
The women's softball team is known as the White Sox, [24] and the women's cricket team is known as the White Ferns. At the 2020 Summer Olympics, New Zealand rowers wore white tops instead of black to help counteract Tokyo's hot and humid climate. [25] [26] In the 1980s, the national cricket team wore beige and brown as their colours. [27]
Warwick McLeod, 'Black and White: Dealing with differences', Art New Zealand, Autumn 1995, no. 74, pp. 51–53 (review of collaborative exhibition with Paul Johnson) Ngahuia Te Awekotuku, 'Kura Te Waru Rewiri', Art New Zealand, Spring 1993, no. 68, pp. 91–93.
The publication, Toi Tū Toi Ora: Contemporary Māori Art, was edited by Nigel Borell, designed by Tyrone Ohia and the layout by Katrina Duncan. [5]The publication won multiple awards, including Gold at the Best Design Awards 2022 (Designer's Institute of New Zealand) for 'Editorial and Books' along with Gold in the 'Toitanga' Maori design category.
A white-presenting woman from New Zealand claimed that she was barred from exhibiting her painting at an exhibition presenting Māori artists, because she isn’t part of the indigenous community.
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