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Euthyphro (/ ˈ juː θ ɪ f r oʊ /; Ancient Greek: Εὐθύφρων, romanized: Euthyphrōn; c. 399–395 BC), by Plato, is a Socratic dialogue whose events occur in the weeks before the trial of Socrates (399 BC), between Socrates and Euthyphro. [1] The dialogue covers subjects such as the meaning of piety and justice.
Euthydemus (Greek: Εὐθύδημος, Euthydemes), written c. 384 BC, is a dialogue by Plato which satirizes what Plato presents as the logical fallacies of the Sophists. [1] In it, Socrates describes to his friend Crito a visit he and various youths paid to two brothers, Euthydemus and Dionysodorus , both of whom were prominent Sophists and ...
The traditional division of the works of Plato into tetralogies was done by Thrasyllus of Mendes. [6] The list includes works of doubtful authenticity (in italic), as well as the Letters. 1st tetralogy Euthyphro, Apology, Crito, Phaedo; 2nd tetralogy Cratylus, Theatetus, Sophist, Statesman; 3rd tetralogy Parmenides, Philebus, Symposium, Phaedrus
Socrates and Euthyphro discuss the nature of piety in Plato's Euthyphro. Euthyphro proposes (6e) that the pious (τὸ ὅσιον) is the same thing as that which is loved by the gods (τὸ θεοφιλές), but Socrates finds a problem with this proposal: the gods may disagree among themselves (7e). Euthyphro then revises his definition, so ...
Euthyphro of Prospalta (/ ˈ juː θ ɪ f r oʊ /; Ancient Greek: Εὐθύφρων Προσπάλτιος; fl. 400 BCE) was an ancient Athenian religious prophet best known for his role in his eponymous dialogue written by the philosopher Plato. Euthyphro's biography can be reconstructed only through the details revealed by Plato in the ...
Plato often invokes, particularly in his dialogues Phaedo, Republic and Phaedrus, poetic language to illustrate the mode in which the Forms are said to exist. Near the end of the Phaedo , for example, Plato describes the world of Forms as a pristine region of the physical universe located above the surface of the Earth ( Phd. 109a–111c).
The following is a list of the speakers found in the dialogues traditionally ascribed to Plato, including extensively quoted, indirect and conjured speakers.Dialogues, as well as Platonic Epistles and Epigrams, in which these individuals appear dramatically but do not speak are listed separately.
As in Charmides, Lysis and Euthyphro, Hippias Major has an "anatreptic" purpose, that is, the result of the dialogue is to defeat commonly held opinions, without necessarily offering a resolution. The concept of something good in and of itself (if only obliquely) makes its first appearance in this work.