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In film, a widescreen film is any film image with a width-to-height aspect ratio greater than 4:3 (1.33:1). For TV, the original screen ratio for broadcasts was in 4:3 (1.33:1). Largely between the 1990s and early 2000s, at varying paces in different countries, 16:9 (e.g. 1920×1080p 60p) widescreen displays came into increasingly common use by ...
Fox Movie Corporation: John Wayne's first starring role in a movie. Still survives in widescreen and is available on DVD. The Bat Whispers: 1930 BW United Artists: Still survives in fullscreen and widescreen versions. The Great Meadow: 1931 BW MGM: Unknown if it was released in widescreen due to the decline of widescreen to the movie going public.
Original Cinerama screen in the Bellevue Cinerama, Amsterdam (1965–2005) 17-meter curved screen removed in 1978 for 15-meter normal screen. [1]Cinerama is a widescreen process that originally projected images simultaneously from three synchronized 35mm projectors onto a huge, deeply curved screen, subtending 146-degrees of arc.
Both versions survive, and differ significantly in composition, staging and editing. When the film was released on October 2, 1930, the only theaters equipped with the Grandeur projectors and wide screen were Grauman's Chinese Theater in Los Angeles and the Roxy Theatre in New York City.
First known film is the first film (not including tests) made with the format and intended for release. Negative gauge is the film gauge (width) used for the original camera negative. Negative aspect ratio is the image ratio determined by the ratio of the gate dimensions multiplied by the anamorphic power of the camera lenses (1× in the case ...
Film production usually responded with content to fit the new media, and technical innovations (including widescreen (1950s), 3D, and 4D film) and more spectacular films to keep theatrical screenings attractive.
CinemaScope logo from The High and the Mighty (1954). CinemaScope is an anamorphic lens series used, from 1953 [1] to 1967, and less often later, for shooting widescreen films that, crucially, could be screened in theatres using existing equipment, albeit with a lens adapter.
Historically, they were often interpreted as threats to the movie industry that had to be countered with innovations in movie theatre screenings, such as colour, widescreen formats and 3D. The rise of new media and digitization have caused many aspects of different media to overlap with film, resulting in shifts in ideas about the definition of ...