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Tolkien's longest modern English works in Old English alliterative meter are an alliterative verse play, The Homecoming of Beorhtnoth Beorhthelm's Son describing the aftermath of the Battle of Maldon, published in 1953, his 2276-line The Lay of the Children of Húrin (c. 1918–1925), published in 1985, and his thousand-line fragment on the ...
The Alliterative Revival is a term adopted by literary historians to refer to the resurgence of poetry using the alliterative verse form in Middle English between c. 1350 and 1500. Alliterative verse was the traditional verse form of Old English poetry ; the last known alliterative poem prior to the Revival was Layamon 's Brut , which dates ...
Eduard Sievers developed a theory of the meter of Anglo-Saxon alliterative verse, which he published in his 1893 Altgermanische Metrik. [1] Widely used by scholars, it was in particular extended by Alan Joseph Bliss. [2] Sievers' system is a primarily method of categorization rather than a full theory of meter.
Alliteration is used in the alliterative verse of Old English poems like Beowulf, Middle English poems like Sir Gawain and the Green Knight, Old Norse works like the Poetic Edda, and in Old High German, Old Saxon, and Old Irish. [3] It was also used as an ornament to suggest connections between ideas in classical Latin, Greek, and Sanskrit poetry.
Cleanness (Middle English: Clannesse) is a Middle English alliterative poem written in the late 14th century. Its unknown author, designated the Pearl poet or Gawain poet, also appears, on the basis of dialect and stylistic evidence, to be the author of Sir Gawain and the Green Knight, Pearl, and Patience, and may have also composed St. Erkenwald.
Layamon's Brut (ca. 1190 – 1215), also known as The Chronicle of Britain, is a Middle English alliterative verse poem compiled and recast by the English priest Layamon. Layamon's Brut is 16,096 lines long and narrates a fictionalized version of the history of Britain up to the Early Middle Ages.
Wynnere and Wastoure is the earliest datable poem of the so-called "Alliterative Revival", when the alliterative style re-emerged in Middle English. [3] The sophistication and confidence of the poet's style, however, seems to indicate that poetry in the alliterative "long line" was already well established in Middle English by the time Wynnere ...
J. R. R. Tolkien (1892–1973), a scholar of Old English, Middle English, and Old Norse, used alliterative verse extensively in both translations and his own poetry. Most of his alliterative verse is in modern English, in a variety of styles, but he also composed some in Old English.