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The glockenspiel (/ ˈ ɡ l ɒ k ə n ʃ p iː l / GLO-kən-shpeel; German pronunciation: [ˈɡlɔkənˌʃpiːl] or [ˈɡlɔkn̩ˌʃpiːl], Glocken: bells and Spiel: play) or bells is a percussion instrument consisting of pitched aluminum or steel bars arranged in a keyboard layout. This makes the glockenspiel a type of metallophone, similar to ...
The keyboard glockenspiel (French: jeu de timbre) or organ glockenspiel [clarification needed] is an instrument consisting of a glockenspiel operated by a piano keyboard.It was first used by George Frideric Handel in the oratorio Saul (1739).
The celesta (/ s ɪ ˈ l ɛ s t ə /) or celeste (/ s ɪ ˈ l ɛ s t /), also called a bell-piano, is a struck idiophone operated by a keyboard. It looks similar to an upright piano (four- or five-octave), albeit with smaller keys and a much smaller cabinet, or a large wooden music box (three-octave).
See also untuned percussion Pitched percussion: A glockenspiel and a set of crotales in use.. This subsection is traditionally called tuned percussion, [2] however the corresponding term untuned percussion is avoided in modern organology in favour of the term unpitched percussion, so the instruments of this subsection are similarly termed pitched percussion.
Instruments classified by Hornbostel–Sachs as struck or friction idiophones, struck or friction membranophones or struck chordophones. Where an instrument meets this definition but is often or traditionally excluded from the term percussion this is noted. Instruments commonly used as unpitched and/or untuned percussion.
A metallophone is any musical instrument in which the sound-producing body is a piece of metal (other than a metal string), such as tuned metal bars, tubes, rods, bowls, or plates. Most frequently the metal body is struck to produce sound, usually with a mallet , but may also be activated by friction, keyboard action, or other means.
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They are a mallet percussion instrument in the metallophone family that is essentially a cross between the vibraphone, glockenspiel, and celesta. They have bars made of aluminum. [1] They sound one octave down from the glockenspiel, or one octave above concert pitch and generally have a range of 2 + 1 ⁄ 2 octaves.
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