Search results
Results from the WOW.Com Content Network
The painting was acquired by Eugenie Primavesi before December 1914, and it was sold in the late 1930s by the Neue Galerie of Otto Kallir or his successor Vita Künstler. It remained in private collections until 1978, when it was sold by Hans Barnas. It is now in the collection of the Museum of Modern Art (MOMA) in New York City, United States.
The relationship of death and life is one of Klimt's central themes, central also to his time and to his contemporaries, among them Edvard Munch and Egon Schiele. [6] [7]The imagination of the artist is focused no longer on physical union, but rather on the expectation that precedes it.
Portrait of Mäda Gertrude Primavesi (1912) Portrait of Adele Bloch-Bauer II (1912) The Maiden (Die Jungfrau) (1913) Semi-nude seated, reclining (1913) Semi-nude seated, with closed eyes (1913) Portrait of Eugenia Primavesi (1913–14) Lovers, drawn from the right (1914) Portrait of Elisabeth Bachofen-Echt (1914) Semi-nude lying, drawn from the ...
The painting was commissioned by Empress Eugénie de Montijo to be exhibited at the painting salon of the Exposition Universelle, which opened in May.The painting was supposed to represent the sovereign in the midst of her ladies-in-waiting, who took turns around her throughout the week.
The Villa Primavesi (Czech: Vila Primavesi) is an Art Nouveau building in Olomouc, Czech Republic. It was designed for Otto Primavesi, a wealthy merchant-banker and his wife Eugenia née Butschek, a Viennese actress.
Johann Georg Primavesi (1774–1855) was a German etcher and painter, primarily of landscapes. Primavesi was born in Heidelberg . In 1812, he became a theatrical painter in Mannheim .
Portrait of a Young Aristocrat: 1565 Private collection Portrait of Infanta Carlos, son of Philip II of Spain and Mary of Portugal: 1565 Private collection Portrait of a Boy at the Spanish Court: 1567s San Diego Museum of Art: 1936.58 Infanta Isabella Clara Eugenia and Infanta Catherine Michelle: 1569 Royal Collection, Buckingham Palace, London
Rubens painted the allegorical female figures, accompanied by a putto or a winged Cupid in Sight, Hearing, Smell, and Touch, and by a satyr in Taste.Brueghel created the sumptuous settings, which evoke the splendour of the court of Albert VII, Archduke of Austria, and his wife Isabella, governors of the Spanish Netherlands, to which the two artists were attached. [1]