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William Dunlap in 1834 said Doughty "has long stood in the first rank as a landscape painter—he was at one time the first and best in the country." Already by 1828, Neal argued that Doughty was focusing too much on the interests of his patrons, having lost sight of the creative impulse: "He has lost a portion of his old strength and solidity ...
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Alfred Sisley (/ ˈ s ɪ s l i /; French:; 30 October 1839 – 29 January 1899) was an Impressionist landscape painter who was born and spent most of his life in France, but retained British citizenship. He was the most consistent of the Impressionists in his dedication to painting landscape en plein air (i.e., outdoors).
The Hay Wain is one of a series of paintings by Constable called the "six-footers", large-scale canvasses which he painted for the annual summer exhibitions at the Royal Academy. As with all of the paintings in this series, Constable produced a full-scale oil sketch for the work; this is now in the Victoria and Albert Museum in London.
Pages in category "Landscape paintings" The following 200 pages are in this category, out of approximately 369 total. This list may not reflect recent changes .
Jan Josephszoon van Goyen (Dutch pronunciation: [ˈjɑɱ vɑŋ ˈɣoːi.ə(n)]; 13 January 1596 – 27 April 1656) was a Dutch landscape painter.The scope of his landscape subjects was very broad as he painted forest landscapes, marine paintings, river landscapes, beach scenes, winter landscapes, cityscapes, architectural views and landscapes with peasants. [1]
Lake Avernus I (c. 1765). Richard Wilson RA (1 August 1714 – 15 May 1782) was an influential Welsh landscape painter, who worked in Britain and Italy.With George Lambert he is recognised as a pioneer in British art of landscape for its own sake [1] [2] and was described in the Welsh Academy Encyclopedia of Wales as the "most distinguished painter Wales has ever produced and the first to ...
In plein air means to “paint outdoors and directly from the landscape”, [5] which Hill incorporated into many of his paintings. Hill’s landscape paintings demonstrate how he combined his powers of observation with powerful motifs in each painting. Hill’s move to California in 1861 brought him new material for his paintings.
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