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Fanned-fret guitars have a multi-scale fingerboard because of "offset" frets; that is, frets that extend from the neck of the guitar at an angle. Ralph Novak (Novax Guitars) was the first to apply this idea to the electric guitar (1988). [2] The frets are arrayed on an angle, in contrast to the standard perpendicular arrangement of other guitars.
Double truss rod neck, Rickenbacker guitar Neck-through construction on Ibanez studio guitar Neck joint with a four-screw plate on a Yamaha Pacifica 112 electric guitar. The neck of a guitar includes the guitar's frets, fretboard, tuners, headstock, and truss rod. The wood used to make the fretboard will usually differ from the wood in the rest ...
In fret dressing, a luthier levels and polishes the frets, and crowns (carefully rounds and shapes) the ends and edges. Stainless steel guitar frets may never need dressing, because of the density of the material. [2] Not having frets carefully and properly aligned with the fingerboard can cause severe intonation issues and constant detuning.
Often the edges of the guitar around the neck and body and down the middle of the back are inlaid. Skunk stripe inlay. Because some electric guitars (like the Fender Telecaster and Stratocaster) do not have a separate fretboard under which they can fit a truss rod, they fit it in the back of the neck and cover it with a strip of dark wood. This ...
The first production model was called the American Standard B-Bender Telecaster. This guitar included two American Standard pickups and a 3-way selector switch. The guitar body was solid alder wood with a 1952-style sharp radius, a 1-piece maple neck and maple fretboard with rolled edges, 25.5 inch (648 mm) scale with 22 medium-jumbo frets, die-cast tuners and a 3-ply pickguard.
The 24.75" scale mahogany neck joins the body at the 19th or 22nd fret. Early models had a smaller neck joint with a longer tenon. This neck design provided access above the 16th fret. Epiphone-made bolt-on neck models still use a 16th fret neck joint. [6] [note 1] The SG's set neck is shallower than the Gibson Les Paul's.
Fat frets make bending easier, and they change the feel of the guitar. As well, large frets, offering more metal, remain playable much longer than thin frets. A side effect of a thicker fret is a less precise note, since the string is held over a wider surface, causing a slight inaccuracy of pitch, which increases in significance as frets wear. [2]
The scale, at 640 mm, and fretting of the early guitars was very similar to other contemporary guitars (including the Gibson and Martin guitar designs from which most modern acoustic guitar patterns ultimately derive), but with a wide fretboard more typical of a classical guitar; they also had 12 frets clear of the body, although left hand ...
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