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The Piano Sonata No. 14 in C-sharp minor, marked Quasi una fantasia, Op. 27, No. 2, is a piano sonata by Ludwig van Beethoven, completed in 1801 and dedicated in 1802 to his pupil Countess Julie "Giulietta" Guicciardi. [b] Although known throughout the world as the Moonlight Sonata (German: Mondscheinsonate), it was not Beethoven who named it ...
The second sonata is one of the most famous piano works in the repertoire and often called the Moonlight sonata, a contentious name not given by the composer himself. The first sonata remains far less performed than the second and the two sonatas are not commonly performed together. They are named so for their only loose adherence to the sonata ...
Two measures after the melody sets in, an abrupt run features the same notes, only one octave higher, like the cadenza in the sonata's third movement (Presto agitato). The climax on a 6 4 chord is similar in both pieces. [2] Additionally, the Fantaisie-Impromptu ' s middle part and the second movement of the Moonlight Sonata are in D ♭ major.
In 1802, he dedicated to her (using the Italian form of her name "Giulietta Guicciardi" to conform with the conventions of dedications) the Piano Sonata No. 14, which although originally titled Sonata quasi una Fantasia (like its companion piece, Piano Sonata No. 13 in E-flat major) subsequently became known by the popular nickname Moonlight ...
Piano Sonata No. 14 (Beethoven), commonly known as the Moonlight Sonata; Piano Sonata No. 14 (Mozart) This page was last edited on 29 ...
Ludwig van Beethoven wrote 32 mature piano sonatas between 1795 and 1822. (He also wrote 3 juvenile sonatas at the age of 13 [1] and one unfinished sonata, WoO. 51.)Although originally not intended to be a meaningful whole, as a set they comprise one of the most important collections of works in the history of music. [2]
In music, a sonata (/ s ə ˈ n ɑː t ə /; pl. sonate) [a] literally means a piece played as opposed to a cantata (Latin and Italian cantare, "to sing"), a piece sung. [1]: 17 The term evolved through the history of music, designating a variety of forms until the Classical era, when it took on increasing importance.
The Piano Sonata in E-flat major, Hob. XVI/52, L. 62, was written in 1794 by Joseph Haydn.It is the last of Haydn's piano sonatas, and is widely considered his greatest. It has been the subject of extensive analysis by distinguished musicological personages such as Heinrich Schenker and Sir Donald Tovey, largely because of its expansive length, unusual harmonies and interesting development. [1]
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