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The free jazz movement, coming to prominence in the late 1950s, spawned very few standards. Free jazz's unorthodox structures and performance techniques are not as amenable to transcription as other jazz styles. However, "Lonely Woman" (1959) a blues by saxophonist Ornette Coleman, is perhaps the closest thing to a standard in free jazz, having ...
6 – Chelsea Quealey, American jazz trumpeter (died 1905). July. 6 – Fats Navarro, American jazz trumpet player (born 1923). 26 – Freddy Gardner, British saxophonist (born 1910). August. 1 – Alvin Burroughs, American swing jazz drummer (born 1911). September. 5 – Al Killian, American jazz trumpeter and occasional bandleader (born 1916).
1950s; 1960s; 1970s; 1980s; 1990s; 2000s; Pages in category "1950s jazz standards" The following 85 pages are in this category, out of 85 total.
Larry Shields c. 1915 April. 23 – Peter DeRose, American Hall of Fame composer of jazz and pop music during the Tin Pan Alley era (born 1900).; May. 16 – Django Reinhardt, French virtuoso guitarist and composer (born 1910).
For a list of the core jazz standards, see the following lists by decade: . Before 1920; 1920s; 1930s; 1940s; 1950s and later; For a looser, more comprehensive A-Z list of jazz standards and tunes which have been covered by multiple artists, see the List of jazz tunes
The Jazz Singer is a 1952 remake of the famous 1927 talking picture The Jazz Singer. It stars Danny Thomas, Peggy Lee, and Eduard Franz, and was nominated for an Oscar for best musical score. The film follows about the same storyline as the version starring Al Jolson. It was also distributed by Warner Bros. Pictures.
Jazz standards are musical compositions that are widely known, performed and recorded by jazz artists as part of the genre's musical repertoire. This list includes tunes written in or after the 1950s that are considered standards by at least one major fake book publication or reference work.
Free jazz, or free form in the early to mid-1970s, [1] is a style of avant-garde jazz or an experimental approach to jazz improvisation that developed in the late 1950s and early 1960s, when musicians attempted to change or break down jazz conventions, such as regular tempos, tones, and chord changes.
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