Search results
Results from the WOW.Com Content Network
High Renaissance sculpture, as exemplified by Michelangelo's Pietà and the iconic David, is characterized by an "ideal" balance between stillness and movement. High Renaissance sculpture was normally commissioned by the public and the state, this becoming more popular for sculpture is an expensive art form.
The Renaissance has a long and complex historiography, and in line with general skepticism of discrete periodizations, there has been much debate among historians reacting to the 19th-century glorification of the "Renaissance" and individual cultural heroes as "Renaissance men", questioning the usefulness of Renaissance as a term and as a ...
The High Renaissance, as we call the style today, was introduced to Rome with Donato Bramante's Tempietto at San Pietro in Montorio (1502) and his original centrally planned St. Peter's Basilica (1506), which was the most notable architectural commission of the era, influenced by almost all notable Renaissance artists, including Michelangelo ...
Leonardo di ser Piero da Vinci [b] (15 April 1452 – 2 May 1519) was an Italian polymath of the High Renaissance who was active as a painter, draughtsman, engineer, scientist, theorist, sculptor, and architect. [3]
The High Renaissance of painting was the culmination of the varied means of expression [27] and various advances in painting technique, such as linear perspective, [28] the realistic depiction of both physical [29] and psychological features, [30] and the manipulation of light and darkness, including tone contrast, sfumato (softening the ...
Where High Renaissance art emphasizes proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, often resulting in compositions that are asymmetrical or unnaturally elegant. [3] Notable for its artificial (as opposed to naturalistic) qualities, [ 4 ] this artistic style privileges compositional tension and instability rather ...
The English Renaissance was a cultural and artistic movement in England during the late 15th, 16th and early 17th centuries. [1] It is associated with the pan-European Renaissance that is usually regarded as beginning in Italy in the late 14th century.
In Northern Italy, the High Renaissance is represented primarily by members of the Venetian school, especially by the latter works of Giovanni Bellini, especially religious paintings, which include several large altarpieces of a type known as "Sacred Conversation", which show a group of saints around the enthroned Madonna.