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The seven-string works well in a band setting, as its lowest note, B1 lines up well with the B0 commonly used for the lowest note of a 5+ string bass. Both the guitar and bass could drop tune as well using a lowest note of A1 and A0 respectively (with the bass this extends the range to the lowest note on a standard piano).
This list of frequencies is for a theoretically ideal piano. On an actual piano, the ratio between semitones is slightly larger, especially at the high and low ends, where string stiffness causes inharmonicity , i.e., the tendency for the harmonic makeup of each note to run sharp .
Tunings are described by the particular pitches that are made by notes in Western music. By convention, the notes are ordered and arranged from the lowest-pitched string (i.e., the deepest bass-sounding note) to the highest-pitched string (i.e., the highest sounding note), or the thickest string to thinnest, or the lowest frequency to the ...
This, "extremely large third", may resemble a neutral third or blue note. [2] Septimal minor third on C. 7-limit or septimal tunings and intervals are musical instrument tunings that have a limit of seven: the largest prime factor contained in the interval ratios between pitches is seven. Thus, for example, 50:49 is a 7-limit interval, but 14: ...
Drop D 7-string tuning – D-D-A-d-g-b-e' This is the standard seven-string tuning with the low B string raised to D and lower E string dropped to D. The Drop C variation of this tuning (C-C-G-C-F-A-D) was used by James Hetfield on an ESP 7-String Guitar when Metallica were recording the song "Some Kind Of Monster" from the album St. Anger.
The purpose of this adjustment is to move the 12 notes within a smaller range of frequency, namely within the interval between the base note D and the D above it (a note with twice its frequency). This interval is typically called the basic octave (on a piano keyboard, an octave has only 12 keys).
The frequencies of the harmonic series, being integer multiples of the fundamental frequency, are naturally related to each other by whole-numbered ratios and small whole-numbered ratios are likely the basis of the consonance of musical intervals (see just intonation). This objective structure is augmented by psychoacoustic phenomena.
7 strings 7 courses. sol la do re mi sol la: China Guqin music uses no absolute pitch so tuning varies. The common Zheng Diao tuning sets "do" to approx. "F 3" and tunes other strings relative to that to give C 3 D 3 F 3 G 3 A 3 C 4 D 4. Gusli: 9 strings 9 courses. Standard/common: E 3 A 3 B 3 C 4 D 4 E 4 F 4 G 4 A 4. Крыловидные ...