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Aria for soprano and orchestra: Metastasio Demofoonte, II, 6: 1770 88: 73c "Fra cento affanni e cento" (Score/Crit. report) Aria for soprano and orchestra: Metastasio, Artaserse I,2: 1770 119: 382h "Der Liebe himmlisches Gefühl" (Score/Crit. report) Aria for soprano and orchestra (piano reduction) This is possibly (Kunze) the aria for Gretl ...
The following year, G. Ricordi, the publisher of Puccini's operas, sued all parties associated with the song, arguing that the melody was lifted from "E lucevan le stelle". Puccini and his publisher prevailed in the case and were awarded $25,000 in damages and all future royalties for the song.
Sissel's musical style runs the gamut from pop recordings and traditional folk songs, to classical vocals and operatic arias. She possesses a "crystalline" voice [2] and wide vocal range, sweeping down from mezzo-soprano notes, in arias such as Mon cœur s'ouvre à ta voix from Saint-Saëns's opera Samson et Dalila, to the F natural above ...
Among the more well-known of Mozart's concert arias are: "Popoli di Tessaglia!", K. 316, for soprano, with its two famous G 6 notes (i.e., the G above high C - according to the Guinness Book of Records, the highest musical note ever scored for the human voice) that come shortly before the end.
Composed in Salzburg in August 1777, the aria was written for Josepha Duschek, for whom Mozart later wrote Bella mia fiamma, addio, K528 in Prague. [4] Mozart recommended Ah, lo previdi! to his beloved Aloysia Weber, writing "I advise you to observe the expression marks—to think carefully of the meaning and the impact of the words—to put yourself in all seriousness into Andromeda’s ...
Vetro recalled the moment he heard Jolie sing "O mio babbino caro," a soprano aria from the 1918 opera Gianni Schicchi, calling it the "most thrilling day" of their time together. "I was like ...
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A post shared by Tony Soprano Driving Songs (@tonysopranodrivingsongs) Since the account began posting on March 15, it’s posted 308 videos of driving scenes from The Sopranos set to different ...