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Pentax 67 – with minor cosmetic changes, launched in 1990 (third generation) Pentax 67 II – the fourth generation model, launched in 1999 [1] The Pentax 6×7 has a dual bayonet lens mount, and a wide range of interchangeable Takumar and later SMC Pentax 67-designated lenses exist. More than forty years after the original camera introduction ...
Pentax 6 × 7 with a 75 mm f /4.5 shift lens. Pentax is one of the few camera manufacturers still producing medium format cameras up to 1999. There are two offerings, one in the 6×7 format—the Pentax 67 II, and one in the 6×4.5 format—Pentax 645NII. Both use 120 or 220 roll film. These cameras build on the Pentax SLR design experience.
Five lenses have been released for the Pentax Q. A sixth lens and an adapter were announced in September, 2012. Pentax 01 Standard Prime (2011) — 47 mm equivalent; Pentax 02 Standard Zoom (2011) — 28–80 mm equivalent; Pentax 03 Fisheye (2011) — 17.5 mm equivalent; Pentax 04 Toy Lens Wide (2011) — 35 mm equivalent
In addition to the 35mm line, Pentax added professional medium format 645 and 67 cameras lenses to its lineup. Pentax's digital interchangeable-lens camera bodies maintain compatibility with any Pentax K mount and even the M42 screwmount (with a Pentax adapter) ever made. 35mm and 645 lenses optimized for digital cameras are currently in ...
Pentax produces two medium-format SLR systems, the Pentax 645, which produces a 6 cm × 4.5 cm image; and the Pentax 67 series, which system evolved from the late 1960s introduced Pentax 6 × 7 camera. These Pentax 6 × 7 series cameras resembled huge 35mm SLR camera in look and function.
Lenses produced for 35 mm film cameras may mount well on the digital bodies, but the larger image circle of the 35 mm system lens allows unwanted light into the camera body, and the smaller size of the image sensor compared to 35 mm film format results in cropping of the image. This latter effect is known as field-of-view crop.
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