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Kim's first museum job after graduate school was in the bookstore at the Whitney Museum of American Art in 1999. She was quickly hired as a writer in the Education Department, contributing research and texts on artists and works of art in the permanent collection for The American Century where she met other aspiring young curators and writers focusing on works of art by artists of color such ...
The Frances Mulhall Achilles Library is a research library originally built on the collections of books and papers of founder Gertrude Vanderbilt Whitney, and the Whitney Museum's first director, Juliana Force. The library operates in the West Chelsea area of New York City. [51] It contains Special Collections and the Whitney Museum Archives.
Ackermann received her first major survey exhibition in 2011 titled, "BAKOS," at the Ludwig Museum of Contemporary Art in Budapest. In 2012, Ackermann was the subject of a mid-career retrospective at Museum of Contemporary Art, North Miami, curated by Bonnie Clearwater. [ 11 ]
In 2017, Conaty was appointed the Steven and Ann Ames Curator of Drawings and Prints at the Whitney Museum. [5] During her tenure at the Whitney, she curated exhibitions dedicated to the work of Edward Hopper (2022) and Ruth Asawa (2023), the former becoming one of the best-attended shows in the museum's history. [6]
Anthony McCall c.2003. Anthony McCall (born 1946) is a British-born New York based artist known for his ‘solid-light’ installations, a series that he began in 1973 with "Line Describing a Cone," in which a volumetric form composed of projected light slowly evolves in three-dimensional space.
She is the Toby Devan Lewis Director of the New Museum of Contemporary Art, in New York City. In 1999, Phillips became the second director in the museum's history, succeeding founding director Marcia Tucker. [1] Prior to beginning her directorship at the New Museum, she worked at the Whitney Museum of American Art for twenty-three years. [2]
In March 2017, the Whitney Museum of American Art hired Hockley as an Assistant Curator. [10] Her first undertaking was to help curate “An Incomplete History of Protest: Selections From the Whitney’s Collection, 1940–2017.” [11] Rujeko Hockley and Jane Panetta curated the 2019 Whitney Biennial. [12]
They have produced over twenty-five solo exhibitions, installations, performances, and artist-led participatory projects for the San Francisco Museum of Modern Art, Public Art Fund, The Aldrich Contemporary Art Museum, [3] Museum of Contemporary Art Denver, Mildred Lane Kemper Art Museum, Berkeley Art Museum, The Arts Club of Chicago, and ...
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