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American patriotic music is a part of the culture and history of the United States since its foundation in the 18th Century. It has served to encourage feelings of honor both for the country's forefathers and for national unity. [ 1 ]
As a musical movement, nationalism emerged early in the 19th century in connection with political independence movements, and was characterized by an emphasis on national musical elements such as the use of folk songs, folk dances or rhythms, or on the adoption of nationalist subjects for operas, symphonic poems, or other forms of music. [1]
In 1814, he wrote a patriotic opera, Die gute Nachricht, to which several Viennese composers contributed music. Beethoven composed the music for the closing song, in B-flat major, celebrating Germania, the allegory of Germany. [1] The work was first performed on 11 April 1814 in the Theater am Kärntnertor in Vienna.
Allegiance: Patriotic Song; Am I the Only One (Aaron Lewis song) America (Chicago song) America (Neil Diamond song) America Is My Home; America the Beautiful; America Will Always Stand; America, an Epic Rhapsody; American Boy (Eddie Rabbitt song) American Patrol; American Soldier (song) An American Trilogy; Anchor and Star; Anchors Aweigh ...
The victory in the Franco-Prussian War and the consequent proclamation of William I, King of Prussia, as German Emperor spurred patriotism and incited several German composers to write patriotic music dedicated to the nation and the new empire. Johannes Brahms, for example, wrote his Song of Triumph (op. 55) in 1871.
Thomas Augustine Arne (/ ɑːr n /; 12 March 1710 – 5 March 1778) was an English composer.He is best known for his patriotic song "Rule, Britannia!" and the song "A-Hunting We Will Go", the latter composed for a 1777 production of The Beggar's Opera, which has since become popular as a folk song and a nursery rhyme. [1]
Christoph Wolff writes that Mozart "paid patriotic tribute when he wrote the orchestral contradanse La bataille, K. 535, a piece of martial music on the siege of Belgrade for the entertainment of the Redoubtensaal society" (the Redoubtensäle were the Imperial ballrooms, and Mozart's job with the Emperor required him to write music to be danced ...
The London Suite, also known as London Every Day, is a suite of orchestral music by the English composer Eric Coates. The Suite was completed in 1933 when Coates was 47. [1] It consists of three movements: I. Covent Garden (Tarentelle) II. Westminster (Meditation) III. Knightsbridge (March)
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