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This list of samples of serif typefaces details standard serif fonts used in printing, classical typesetting and printing. List of samples ...
The first legal free version of Palatino was URW Palladio L. The open-source community greatly extended the character sets of the fonts and releases new, updated versions under new names. FPL Neu is a typeface based on URW Palladio L font. It has both text figures and lining figures. It is available both in Type 1 format [74] and OpenType ...
Fallback font (freeware fallback font for Windows) Free UCS Outline Fonts aka FreeFont (free/open source, "FreeSerif" includes 3,914 glyphs in v1.52, MES-1 compliant) Gentium (free/open source, "Gentium Plus" includes over 5,500 glyphs in November 2010) GNU Unifont (free/open source, bitmapped glyphs are inclusive as defined in unicode-5.1 only)
Didot's type in the Code civil des Français, printed by the company of Firmin Didot in 1804.. Didone (/ d i ˈ d oʊ n i /) is a genre of serif typeface that emerged in the late 18th century and was the standard style of general-purpose printing during the 19th century.
EB Garamond is a free and open source implementation of Claude Garamond’s typeface, Garamond, and the matching Italic, Greek and Cyrillic characters designed by Robert Granjon. Its name is a shortening of Egenolff–Berner Garamond ; the letter forms are taken from the Egenolff–Berner specimen printed in 1592.
Gill Sans is a humanist sans-serif typeface designed by Eric Gill and released by the British branch of Monotype from 1928 onwards.. Gill Sans is based on Edward Johnston's 1916 "Underground Alphabet", the corporate font of London Underground.
The Public Type or PT Fonts are a family of free and open-source fonts released from 2009 onwards, comprising PT Sans, PT Serif and PT Mono.They were commissioned from the design agency ParaType by Rospechat, a department of the Russian Ministry of Communications, to celebrate the 300th anniversary of Peter the Great's orthography reform and to create a font family that supported all the ...
Several revivals of the Didot faces have been made, first for hot metal typesetting and then for phototype and digital versions.. Digital use of Didot poses challenges. While it can look very elegant due to the regular, rational design and fine strokes, a known effect on readers is 'dazzle', where the thick verticals draw the reader's attention and cause them to struggle to concentrate on the ...