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Actual font is the digital Bodoni Monotype published in 1999. Bodoni (/ b ə ˈ d oʊ n i /, Italian:) is the name given to the serif typefaces first designed by Giambattista Bodoni (1740–1813) in the late eighteenth century and frequently revived since. [1] [2] Bodoni's typefaces are classified as Didone or modern.
Several revivals of the Didot faces have been made, first for hot metal typesetting and then for phototype and digital versions.. Digital use of Didot poses challenges. While it can look very elegant due to the regular, rational design and fine strokes, a known effect on readers is 'dazzle', where the thick verticals draw the reader's attention and cause them to struggle to concentrate on the ...
As "Didone" serif text faces were the norm throughout the nineteenth century, other fonts of the period and beyond were derived on them. In this picture, a Clarendon display typeface is shown, with the standard nineteenth-century 'R' and 'Q' but bulked-up letterforms and boosted x-height for display printing.
Computer Modern is a "Didone", or modern serif font, a genre that emerged in the late 18th century as a contrast to the more organic designs that preceded them. Didone fonts have high contrast between thick and thin elements, and their axis of "stress" or thickening is perfectly vertical.
This list of samples of serif typefaces details standard serif fonts used in printing, ... Class: Modern : Athelas Designer: Veronika Burian, Jose Scaglione :
Georgia is a serif typeface designed in 1993 by Matthew Carter and hinted by Thomas Rickner for Microsoft.It was intended as a serif typeface that would appear elegant but legible when printed small or on low-resolution screens.
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A typeface or "font family" making use of serifs is called a serif typeface (or serifed typeface), and a typeface that does not include them is sans-serif. Some typography sources refer to sans-serif typefaces as "grotesque" (in German , grotesk ) or "Gothic" [ 1 ] (although this often refers to blackletter type as well) and serif typefaces as ...
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