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Much of what we know of early Chinese figure painting comes from burial sites, where paintings were preserved on silk banners, lacquered objects, and tomb walls. Many early tomb paintings were meant to protect the dead or help their souls to get to paradise.
A rich source of art in early China was the state of Chu, which developed in the Yangtze River valley. Excavations of Chu tombs have found painted wooden sculptures, jade disks, glass beads, musical instruments, and an assortment of lacquerware. Many of the lacquer objects are finely painted, red on black or black on red.
Most dictionaries and definitions of shan shui assume that the term includes all ancient Chinese paintings with mountain and water images. [3] Contemporary Chinese painters, however, feel that only paintings with mountain and water images that follow specific conventions of form, style and function should be called "shan shui painting".
Early Spring is a hanging scroll painting by Guo Xi. Completed in 1072, it is one of the most famous works of Chinese art from the Song dynasty. The work demonstrates his innovative techniques for producing multiple perspectives which he called "the angle of totality." The painting is a type of scroll painting which is called a Shan shui.
The arts of China (simplified Chinese: 中国艺术; traditional Chinese: 中國藝術) have varied throughout its ancient history, divided into periods by the ruling dynasties of China and changing technology, but still containing a high degree of continuity. Different forms of art have been influenced by great philosophers, teachers ...
"Early Snow on the River by Student Zhao Gan of the Southern Tang," [1] [2] Li Yu, the last ruler of the dynasty, before his demise by the hands of the Song dynasty, was a calligrapher and the patron of the arts, founded an art school that in addition to Zhao Gan, included contemporary painters such as Dong Yuan, Juran, and Xu Xi.
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