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Early Spring is a hanging scroll painting by Guo Xi. Completed in 1072, it is one of the most famous works of Chinese art from the Song dynasty. The work demonstrates his innovative techniques for producing multiple perspectives which he called "the angle of totality." The painting is a type of scroll painting which is called a Shan shui.
Xia Gui (Song dynastic era) – Mountain Market- Clear with Rising Mist, one of the 8 scenarios.. The Eight Views of Xiaoxiang is thematically part of a greater tradition. . Generally, it is a theme that as artistically rendered in painting and poetry tends towards the expression of an underlying deep symbolism, such as exile and enlighten
Another painting that can be attributed to him is The Coming of Autumn. Both paintings capture the seasonal atmosphere and are regarded as important accomplishments of the Song Dynasty. [3] Guo Xi was often referred to as a "Northern Song master" when it came to painting. His work inspired many later artists and he even had landscapes dedicated ...
Li Cheng (Chinese: 李成; pinyin: Lǐ Chéng; Wade–Giles: Li Ch'eng; 919–967), courtesy name Xiánxī (咸熙), was a Chinese painter of the Song dynasty. He was influenced by Jing Hao and Juran. Li Cheng, Fan Kuan, and Guan Tong became known as the "three great rival artists".
Song Di (Chinese: 宋迪; pinyin: Sòng Dí) (c. 1015 – c. 1080), courtesy name Fugu, was a minor government official, writer, and a painter of the Chinese painting tradition. He was one of three brothers, and part of the Song clan which had served in government offices for six generations.
Early Chinese map making considered earth surface as flat, so artists would not take projection into consideration. Moreover, map makers did not have the idea of map scale. Chinese people from Song dynasty called paintings, maps and other pictorial images as tu, so it's impossible to distinguish the types of each painting by name.
In Chinese art, the handscroll usually consists of a frontispiece (引首) at the beginning (right side), the artwork (畫心) itself in the middle, and a colophon section (拖尾) at the end for various inscriptions. [5] [6] [8] The beginning of the scroll, where the frontispiece was located, is known as the "heaven" (天頭). [6]
Six Persimmons (Chinese: 六柿圖; pinyin: liùshì tú) is a 13th-century Chinese painting by the monk Muqi Fachang. It was painted during the Song dynasty. Muqi was one of the two great exponents of the spontaneous mode of Chinese painting (the other being Liang Kai). It features six persimmons on an undefined background. It is painted in ...