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The stained glass windows of Chartres Cathedral are held to be one of the best-preserved and most complete set of medieval stained glass, notably celebrated for their colours, especially their cobalt blue. They cover 2600 square metres in total and consist of 172 bays illustrating biblical scenes, the lives of the saints and scenes from the ...
The Cologne Cathedral Window is the stained glass window in the south transept of the Cologne Cathedral designed by Cologne artist Gerhard Richter. On a surface of 106 square metres, 11,263 glass squares in 72 colours of 9,6 cm × 9.6 cm were principally arranged randomly, with others selected in response to architectural context. [ 1]
The primary characteristics of early English glass are deep rich colours, particularly deep blues and ruby reds, often with a streaky and uneven colour, which adds to their appeal; their mosaic quality, being composed of an assembly of small pieces; the importance of the iron work, which becomes part of the design; and the simple and bold style of the painting of faces and details.
France. French Gothic stained glass windows were an important feature of French Gothic architecture, particularly cathedrals and churches built between the 12th century and 16th century. While stained glass had been used in French churches in the Romanesque period, the Gothic windows were much larger, eventually filling entire walls.
The coloured glass is crafted into stained glass windows in which small pieces of glass are arranged to form patterns or pictures, held together (traditionally) by strips of lead, called cames or calms, and supported by a rigid frame. Painted details and yellow stain are often used to enhance the design.
Medieval stained glass is the coloured and painted glass of medieval Europe from the 10th century to the 16th century. For much of this period stained glass windows were the major pictorial art form, particularly in northern France, Germany and England, where windows tended to be larger than in southern Europe (in Italy, for example, frescos were more common).
In the mid-19th century, Lavers, Barraud and Westlake were among many young designers who responded to the growing market for stained glass windows. The partnership initially comprised Nathaniel Wood Lavers (1828–1911) and Francis Philip Barraud (1824–1900). [note 1] Both were originally employed at the workshops of James Powell and Sons.
The partners were John Richard Clayton (1827–1913) and Alfred Bell (1832–1895). The company was founded in 1855 and continued until 1993. Their windows are found throughout the United Kingdom, in the United States, Canada, Australia and New Zealand. Clayton and Bell's commercial success was due to the high demand for stained-glass windows ...
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