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Acatalexis: the opposite of catalexis. Acephalous line: a line lacking the first element. Line: a unit into which a poem is divided. Line break: the termination of the line of a poem and the beginning of a new line. Metre (or meter): the basic rhythmic structure of a verse or lines in verse.
This glossary of literary terms is a list of definitions of terms and concepts used in the discussion, classification, analysis, and criticism of all types of literature, such as poetry, novels, and picture books, as well as of grammar, syntax, and language techniques. For a more complete glossary of terms relating to poetry in particular, see ...
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The Ego-Futurists were another poetry school within Russian Futurism during the 1910s, based on a personality cult. [53] [56] Most prominent figures among them are Igor Severyanin and Vasilisk Gnedov. The Acmeists were a Russian modernist poetic school, which emerged ca. 1911 and to symbols preferred direct expression through exact images.
t. e. The foot is the basic repeating rhythmic unit that forms part of a line of verse in most Indo-European traditions of poetry, including English accentual-syllabic verse and the quantitative meter of classical ancient Greek and Latin poetry. The unit is composed of syllables, and is usually two, three, or four syllables in length.
Terzanelle. Tetractys. Thai poetry. Thanbauk (poetic form) Tornada (Occitan literary term) Trova (poetry) Tuyugh. Tweede Asem.
List of poems by Robert Frost. List of poems by John Keats. List of poems by Philip Larkin. List of poems by Samuel Taylor Coleridge. List of poems by Walt Whitman. List of poems by William Wordsworth. List of works by Andrew Marvell. List of William McGonagall poems. List of poems by Samuel Menashe.
Poetic diction is the term used to refer to the linguistic style, the vocabulary, and the metaphors used in the writing of poetry.In the Western tradition, all these elements were thought of as properly different in poetry and prose up to the time of the Romantic revolution, when William Wordsworth challenged the distinction in his Romantic manifesto, the Preface to the second (1800) edition ...