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The discography of American rock band Sonic Youth comprises 15 studio albums, seven extended plays, three compilation albums, seven video releases, 21 singles, 46 music videos, ten releases in the Sonic Youth Recordings series, eight official bootlegs, and contributions to 16 soundtracks and other compilations.
It ranked number 4 among the "Albums of the Year" by NME. [20] Slant Magazine, who placed EVOL at number 82 on their Best Albums of the 1980s list, described it as "one of [Sonic Youth's] strangest albums" and "a difficult album that's nonetheless one of the best latter-day invocations of no wave chaos."
Daydream Nation is the fifth studio album by American alternative rock band Sonic Youth, released on October 18, 1988.The band recorded the album between July and August 1988 at Greene St. Recording in New York City, and it was released by Enigma Records as a double album.
The album ranked No. 4 among "Albums of the Year" for 1987 in the annual NME critics' poll. [28] In a retrospective review, AllMusic editor Stephen Thomas Erlewine called Sister "a masterpiece" and "one of the singular art rock records of the 1980s, surpassed only by Sonic Youth's next album, Daydream Nation". [29]
Sonic Youth were an American rock band formed in New York City in 1981. Founding members Kim Gordon (bass, vocals, guitar), Thurston Moore (guitar, vocals) and Lee Ranaldo (guitar, vocals) remained together for the entire history of the band, while Steve Shelley (drums) followed a series of short-term drummers in 1985, rounding out the core line-up.
In 1985, Sonic Youth toured the U.K. for the second time, live recordings from which appeared the following year on the two-LP bootleg Walls Have Ears.On Feb. 9, the collection will be released ...
Goo is the sixth full-length studio album by American alternative rock band Sonic Youth, released on June 26, 1990, by DGC Records.For this album, the band sought to expand upon its trademark alternating guitar arrangements and the layered sound of their previous album Daydream Nation (1988) with songwriting that was more topical than past works.
Ah, yes, the fourth album: the make-or-break moment where the Gallagher brothers could veer off their own well-traveled yellow brick road of Britpop and pave some — or any — kind of new sonic ...
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