Search results
Results from the WOW.Com Content Network
In the West, mehndi is commonly known as henna tattoo, although it is not a permanent tattoo. [1] Mehndi is a popular form of body art in South Asia and resembles similar traditions of henna as body art found in North Africa, East Africa and the Middle East. There are many different names for mehndi across the languages of South Asia.
Godna, also known as Khoda, is an ancient traditional form of tattoo art originating from the tribal communities of Northern and Central India. [1] [2] These tattoos are characterized by intricate designs and vivid colors, often depicting elements of nature, mythology, and daily life. [3] [4]
Lokesh Verma is an Indian tattoo artist. [1] He is best known for pioneering soundwave tattoos in India. [2] [3] [4] He is one of the founders of Heartwork Tattoo Festival, India’s only international tattoo festival. [5] [6] [7]
An elderly Bengali man in Dhaka with a beard dyed in henna. Henna is a reddish dye prepared from the dried and powdered leaves of the henna tree. [1] It has been used since at least the ancient Egyptian period as a hair and body dye, notably in the temporary body art of mehndi (or "henna tattoo") resulting from the staining of the skin using dyes from the henna plant.
Tattoos of yantra designs were believed to hold magic power, and were used much like the kolam tattoos of India. For these people, religion is closely tied to the notion of magic, health, and good fortune. [3] The script used for yantra designs varies according to culture and geography. In Cambodia and central Thailand, the Khom script is used.
A tattoo is a form of body modification made by inserting tattoo ink, dyes, and/or pigments, either indelible or temporary, into the dermis layer of the skin to form a design. Tattoo artists create these designs using several tattooing processes and techniques , including hand-tapped traditional tattoos and modern tattoo machines .
This page was last edited on 7 February 2016, at 11:31 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
The Art and Architecture of the Indian Subcontinent, 2nd edn. 1994, Yale University Press Pelican History of Art, ISBN 0300062176; Harsha V. Dehejia, The Advaita of Art (Delhi: Motilal Banarsidass, 2000, ISBN 81-208-1389-8), p. 97; Kapila Vatsyayan, Classical Indian Dance in Literature and the Arts (New Delhi: Sangeet Natak Akademi, 1977), p. 8