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In the first verse, Armstrong ignores the notated melody and sings as if playing a trumpet solo, pitching most of the first line on a single note and using strongly syncopated phrasing. In the second stanza, he breaks into an almost entirely improvised melody, which then evolves into a classic passage of Armstrong's scat singing.
Contents. Louis Armstrong discography. Louis Armstrong (1901–1971), nicknamed Satchmo [ 1 ] or Pops, was an American trumpeter, composer, singer and occasional actor who was one of the most influential figures in jazz and in all of American popular music. His career spanned five decades, from the 1920s to the 1960s, and different eras in jazz.
On December 5, 1928, Louis Armstrong and Earl Hines recorded it as a duet between trumpet and piano. [2] [4] [5] [6] That recording is regarded as the "most famous duet in jazz history". [7] (In fact, it was issued by Okeh Records as Louis Armstrong's "trumpet solo with piano accompaniment by Earl Hines" [1] and is sometimes considered a solo. [4]
Contents. Louis Armstrong and His Hot Five. The Hot Five was Louis Armstrong 's first jazz recording band led under his own name. It was a typical New Orleans jazz band in instrumentation, consisting of trumpet, clarinet, and trombone backed by a rhythm section. The original New Orleans jazz style leaned heavily on collective improvisation, in ...
The Louis Armstrong Hot Five and Hot Seven Sessions were recorded between 1925 and 1928 by Louis Armstrong with his Hot Five and Hot Seven groups. According to the National Recording Registry, [ 1 ] "Louis Armstrong was jazz's first great soloist and is among American music's most important and influential figures.
By far the best known recording of "West End Blues" is the 3-minute-plus, 78 rpm recording made by Louis Armstrong and His Hot Five on June 28, 1928. Gunther Schuller devoted page after page to it in his book Early Jazz, writing, “The clarion call of “West End Blues’ served notice that jazz had the potential capacity to compete with the highest order of previously known musical ...
The script also required Armstrong to play "Ain't Misbehavin '" in a trumpet solo, and although this was initially slated only to be a reprise of the opening song, Armstrong's performance was so well received that the trumpeter was asked to climb out of the orchestra pit and play the piece on stage.
Louis Armstrong performed a version featuring a trumpet solo which was recorded on January 25, 1932 and released by Columbia Records, catalogue No. 2600D. [5] The Boswell Sisters with The Dorsey Brothers (Recorded March 21, 1932, Brunswick Records, No. 6291) [6]
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